Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
All about, up and down the street, were remote sounds of retreating
steps, coming steps, voices that cried out in low commands or questions,
but they said nothing for her beyond the abundant drama of their passing.
She moved in a richness and fullness of sensation, cloaked in sense, or
the pleasure of setting her feet forward swiftly drowned all thought in
momentary pools of physical being. Or, standing at the gate after the
walk, having heard the click of the gate latch which always meant the
end of a journey, the peculiar sound of the gate when it was closed from
within the garden, a deep metal click, alto, unlike that of any other
gate she knew, a token of possible finalities came into her thought and
her bodily presence. Albert gathered the fields together and centered
them, but in turn he centered himself into her body. The parallels of
the street converged far down in the west at the line the set sun made
with the hills. The cool of the night touched her face and a shiver
passed over her body, less of cold than of emotion deeply established as
she recognized some unity within herself which related to her friends, to
Albert’s wish, to Conway’s gentleness and beauty, and a clear thought of
Conway brought a smile to her lips.
“This is my spirit, my soul. It’s here,” she said. “This unit. I can
almost touch it with my words.” Dark had come now. The lights of the town
were burning in order, one after the other up the street. She passed up
the steps of the gallery slowly.
THREE
Catherine Lovell’s face was dim in Theodosia’s memory now that it was
gone from the town. To her this was something to contemplate, this sure
loss of a face when it had passed beyond the sight of the eye. The face
would be recognized instantly anywhere upon the earth, in any crowd, but
it could not be restored to a vivid image in waking thought. Theodosia
pursued all vanishing faces with moments of wonder and amazement, for
Jane Moore, out of sight, was but dimly seen although the flavor of her
being, of her way, her smile, was keenly discerned. The same was true
of Ruth although she came often to the parlor, and true of Conway, of
Albert, of Frank, and she played a game of trying to hold the image
minute by minute after the face had disappeared through a doorway, but
only a dim vision together with an estimate or a general essence could
be assured, although Albert’s look with its momentary pleading and rough
assurance somehow entered her frame and consorted with some part of her
own being, richly remembered in the joyous consenting of her members, but
accompanying this ran always a tender thought of Conway and his beauty,
who, if he were but vaguely visualized, was real and one with Albert in
whatever favor her mind yielded of contemplation and tenderness.
Public-domain text, read in full here on John Shaqi.
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