Kentucky -- Fiction; Self-actualization (Psychology) in women -- Fiction
“Let’s sit here a little while, under this pine tree. On the grass.”
“I went to the creek to fish one summer with a party, Conway in the lot.
I remember how we laughed and talked all the best part of a night once,
a big log fire, and how Conway looked, by the fire, in the light of the
blaze. Laughed till he shook all over when Albert told the one about the
deacon up at Elijah Church. Did you ever hear Albert tell about Deacon
Pope’s prayer?”
“No. Or maybe I have. I don’t know.”
She sat under the pine tree, inattentive to Frank’s story, lost in a haze
of grief which was no less ever-present because she did not know exactly
where it centered. She knew that if Frank had not been present she should
actually have wept, but that he held the flow of her grief intact with
some hushing power, that his presence called for definite tears, exactly
wept, committed to a future which she had now obliterated.
Alone in her room when the walk was over, she remembered the beauty of
the hilltop and the sublimated air of the bird’s song, and the grass
that swung backward in the late afternoon sunlight. As her memory
grew more intense, dwelt upon, the intensity of her grief multiplied,
gathered now into a passion for Conway, whom she was free to mourn and
long for. She remembered every gesture and posture of his body, conned
each one to bring it back to being, and focused about his jealousy,
which had become precious now, and about his bitter, hurt replies, that
fell the more poignantly in that they were surrounded by his lightness
and carelessness. She was free to love him and to want him. Her hate of
Albert inverted itself and became an intense passion for Conway. She
searched for a small picture of him, turning out boxes and drawers in a
state of violent grief which centered half the night about the finding
of this small physical token. When she had found it she set it upon her
mantel in the place of honor from which she had withdrawn pictures of
Albert, of Ruth, and of Jane.
Preoccupied with her grief she took less account of the town. Jane came
no more to sit on her piano bench and twitter at the notes of the music,
or if she came to the portico for a brief call she seemed business-like,
abstracted, mirthless. Ruth had found diversions in another street. She
saw them clearly now. They had liked her sincerely, in their ways, but
they had liked her as a means of access to Conway and Albert. They had
poured their friendship over her for this.
* * * * *
Public-domain text, read in full here on John Shaqi.
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