The Count himself, although very approachable, was so busy with one
thing and another during my stay, that only on two occasions did we have
anything like a satisfactory conversation. And these two opportunities
could be only partially improved by me because I honestly did not know
what to talk about with the old gentleman--or rather there was so much
that I wanted to ask him, but did not know how to formulate in the way
that I fancied such a great man would expect questions to be put, that
the time went by and I had done but little more than observe the man's
manners, and listen to what he volunteered to say without being
questioned. We spoke in English and German, as it happened to suit.
Now, that I look back over the experience and recall the old gentleman's
willingness to talk on any subject, I regret exceedingly that I did not
quiz him about literary contemporaries and affairs. The principal thing
he said along these lines that comes to mind now concerned poetry and
how it impressed him. We were sitting in the music room, and some one
had said something about the relative values of prose and poetry as
methods of expression. Tolstoy preferred prose.
"Poetry," he said, pointing to the parquet floor, "reminds me of a man
trying to walk zigzag across the room on those squares. It twists and
turns in all directions before it can arrive anywhere. Prose, on the
other hand, is direct; it goes straight at the mark."
Talking about America and Americans, one afternoon, he was much
interested in William Dean Howells, Henry George and the late Henry
Demarest Lloyd. He told me that there were four men in the world that he
was very anxious to bring together; he believed that a conference
between them would throw much light on the world's needs. Two of the
men, if my memory is correct, were Mr. Howells and Mr. Lloyd.
Only one strictly theological, or rather religious bit of conversation
occurs to me now. We were walking in the fields, the Count having spent
the day at his friend's house where the Four Gospels were being
overhauled. The talk wandered along in a rather loose fashion until we
came to the subject of miracles--we also tackled parables before we got
through.
I had become a little mixed in understanding the Count, and said
something like this: "And the miracles you consider so illuminating?"
"No, no, no," he returned, "anything but illuminating; they are
befogging. It is the parables that I find so clear and instructive. The
miracles will have to go, but the parables we could not possibly spare."
On no occasion did the Count ask me what I believed. The matter seemed
to make very little difference to him, or, at any rate, if I believed
anything and was made happy thereby, he did not see the use in taking it
up in conversation.
In the dining room, one noon, he said to me: "I see that you like
tobacco." There was no critical or reproachful accent in the remark; he
merely noted what was a fact.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account