The Berlin of the late eighties was a very different city from the
Berlin of to-day. There is probably no other Continental city which has
undergone so many changes in the same period of time. When I wandered
into the place nearly twenty years ago there were no electric
cars--horses were still the exclusive motive power in the business
streets; there was no rational direction of traffic--there isn't to-day
in some parts; there were no automobiles that I can remember having
seen; there were no great department stores such as now vie with those
of New York; there was no such street lighting as there is to-day; and
there were by no means so many Germans leaning on window sills and on
the streets. Like Moscow, the place resembled a great overgrown village
more than it did the capital of a great country. The people were
provincial, the military upstarts often acted as if they thought the
city had been built and was kept up for their exclusive entertainment,
and strangers, particularly Americans, who ventured to dress as they do
at home--white dresses in summer for ladies, for instance--were stared
at as if they were a new species of human beings. In one particular,
however, the city has not changed, and probably never will, _i.e._, in
the amount of noise the Berliners are equal to when they are turned
loose in the streets, afoot, in trains or in _Drosckken_. If it be true
that the word _German_, philologically dissected, means a shouter in
battle, then the word Berliner means two shouters talking about a
battle. The incessant ya-yaing and nein-neining in the streets, the
perspiring and nervous self-consciousness that comes to a large-boned
populace suddenly advanced to _Welt-Stadt_ significance, the reckless
driving of the cabbies, the screams of the cabbies' victims, these all
contribute to the present provinciality of the metropolis, in spite of
the modern trolleys, automobiles, half-Londonized policemen, and
taxameter cabs. Indeed, these very appurtenances of cosmopolitan, the
crunching trolley, for instance, and the puffing "auto," accentuate very
strikingly the undue emphasis which the town puts in noises, and are
indicative of its lust for more. Twenty years ago the shouting and
buzzing were not so bad, but the city is now making up for any silences
that may have been observed at that time.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account