Authors, German -- 19th century -- Biography; May, Karl Friedrich, 1842-1912
As mentioned before, my "traveller's tales" have to rise among the
Arabs from the desert up to the Jebel Marah Durimeh and among the
American Indians from the jungle and the prairie up to the Mount
Winnetou. On this path, the reader shall develop from a low
anima-person up to the realization of what it means to be a nobly
spirited person. At the same time, he shall experience how the
anima transforms on this path into a soul and a mind. Therefore,
these tales start in the first volume in the "desert". In the
desert, i.e. in the nothingness, in complete ignorance about
everything which concerns the anima, the soul, and the mind.
Stepping out into the desert and opening his eyes, the first thing
my Kara Ben Nemsi, the first person narrator, the "self",
mankind's great question, gets to see is a strange, little fellow,
who is riding towards him on a large horse, has invented a long,
famous name for himself, and even maintains that he was a Hadji,
though he finally has to admit that he has never been to one of
the holy cities of Islam, where the honourable title of a Hadji is
obtained. You see, that I am dressing up a genuinely German, and
therefore domestic, psychological riddle into a foreign, oriental
garment, to make it more interesting and to be able to solve it in
a more understandable manner. This is what I mean when I maintain
that all of these traveller's tales have to be interpreted as
parables, i.e. figuratively or symbolically. There is no
mysticism or anything similar involved. My symbols are so clear,
so transparent, that nothing mystical can hide behind them at all.
This Hadji, who calls himself Hadji Halef Omar and adds even his
father and grandfathers' names with the title Hadji to his own,
symbolises the human anima, which pretends to be the soul or even
the mind, without even knowing what a soul or a mind really is.
This is a daily occurrence among us, not just in ordinary life,
but also among learned people, but there such a blindness towards
this mistake that I have to resort to Arabian characters and
Arabian conditions to let the blind eyes see. Therefore, I send
this Halef to Mecca in one of the very first chapters, which
transforms his lie into the truth, because he is now really a
Hadji, and then, immediately afterwards, I let him get acquainted
with his "soul" - - - Hannah [a], his wife!
[a] This is a misspelling in the original text. The character
is actually called Hanneh.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account