Authors, German -- 19th century -- Biography; May, Karl Friedrich, 1842-1912
The path I am on has been taken by no one else before me;
I would therefore, even without the hatred directed against me, be
forced to be a lonely man. I am furthermore convinced that later,
once they will be properly acquainted with me and what I want, a
sizable number, perhaps even many, will leave the large crowd, in
order to join me. Old paths can lead to nothing more than old,
dead treasures. But whoever is searching for new, living
treasures, shall also take new, not old, paths. And my path is a
new one! The fate of my previous work will only be determined by
their worth or worthlessness, by nothing else. If they are any
good, they will stay, no matter whether they are presently being
praised or condemned. If they are no good, they will disappear,
no matter whether they are now rejected or not. And the most
important thing is, the person who has their worth or
worthlessness under his control is just me alone. No one of my
opponents, no matter how powerful and influential he may be in
literature, can influence this in even the slightest degree. This
sounds proud and boastful, but it is true. These works are
collections of sketches, are preliminary exercises, are
preparations for what is to come later. If those later things
will turn out well, everything by means of which I prepared myself
for it will be justified, no matter how or what is being thought
and written about it now.
Now, there is only one final remark in respect to the Münchmeyer
novels left for me to make. One of my most unrelenting opponents
wrote I should by no means fool anybody into believing that a
trashy publisher could transform decent novels into indecent ones;
this would be a huge job, which nobody would be able to cope with.
This gentleman seems to be in the fortunate position to be
infinitely far removed from the live and activities of a trashy
publisher. First of all, if someone is able to spend the time and
effort to write a novel, then someone ought to be much more able
to spend the shorter time and lesser effort to change this novel!
Secondly, such a change requires by no means as much time and work
as my opponent seems to assume. The insertion of a few words is
perfectly sufficient to transform a "moral" sheet of printed paper
into an "immoral" one. Thirdly, there is more than enough
manpower for such changes available, and they have such an
astonishing routine in it that even an insider is amazed by the
the amount they can cope with. I have supplied evidence to this
and will supply even more. Walther, the frequently mentioned
factotum, sat at Münchmeyers' every day, from early in the morning
until in the evening, only doing these kinds of work, and then
reading the proofs, which the author never got to see. The
evidence given first by Fischer, who had bought the Münchmeyers'
business, and a few years later by his heirs, in a material manner
and in court, on these adaptations of my novels, is well known.
Public-domain text, read in full here on John Shaqi.
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