My Life at Sea: being a "yarn" loosely spun for the purpose of holding together certain reminiscences of the transition period from sail to steam in the British mercantile marine (1863-1894)Crutchley, William Caius
History
My Life at Sea: being a "yarn" loosely spun for the purpose of holding together certain reminiscences of the transition period from sail to steam in the British mercantile marine (1863-1894)
Crutchley, William Caius
Merchant marine -- Great Britain; Seafaring life
When we got to Southampton there were many changes going on in the
officering of the ships, and in the midst of it stood out the fact
that there was a captain and a chief officer short who would have to
come from somewhere. The manager of the Company in Southampton at that
time was Mr. G. Y. Mercer; he had been with it from its creation, and
possessed great power. He was a far greater man even than the marine
superintendent. Now Mrs. Mercer and Mrs. Baynton were great friends,
and it may be mentioned that the latter lived in a very charming house
at Shirley, called Trafalgar Lodge; it was an ideal place for the
people living in it. I was invited to dine there one evening, and doing
so met Mr. and Mrs. Mercer. It was fairly evident to me afterwards why
I had been invited, for after the ladies had left the table and the
men were discussing things generally Mr. Mercer made the casual remark
that “Nothing was certain in this world, not even that Crutchley would
go out as second of the _American_.” Very shortly after this I was
appointed to the _Syria_ as chief, and my skipper was Garrett, late of
the _Roman_, his first voyage in command. This opened up to me a new
vista of boundless possibilities, for the ship was one of our best.
Both the skipper and myself were new brooms and most anxious to sweep
clean. Our second was named Merritt, a nice fellow who came from Cape
Town. Garrett liked him very much, and when a year or so afterwards
Merritt died as the result of an accident, was inconsolable for months.
[Illustration: U.S.S “SYRIA”
(_From a painting by Willie Fleming of Cape Town_)]
Public-domain text, read in full here on John Shaqi.
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