Brooke, Margaret, Lady, 1849-1936; Queens -- Malaysia -- Sarawak -- Biography; Sarawak (Malaysia) -- Description and travel
Bertram’s arrival on the scene prevented me from taking as many
expeditions with the Rajah as before. I now spent months together in
Kuching, and day by day added to my knowledge of the people, of their
beliefs and their aspirations, and made me love them more than ever.
It was during this period the idea came to me that it was a pity
Malay women could not read or write their own language. They were
fond of ancient lore and enjoyed hearing the legends and romantic
tales relating to their race, handed down to them through traditional
sources. In all the suburbs of Kuching curious old women were to be
found, many of whom had acquired in some mysterious manner these tales
from those of past generations. Such old women were called reciters,
and Malay ladies when giving parties often hired their services to
entertain their friends. Having learnt of this amusement, I started
parties of recitation at the Astana, which generally took place in
the evening. Clad in our best silks and satins, and stiff with gold
brocade, we sat together in my private room with the reciter, poorly
dressed in dark cotton clothes, pouring out wonderful stories of kings,
queens, and princesses; of royal gardens, monkey-gods, peacocks,
flowers, perfumes, and such-like things. I could not follow these
stories very well, because these old ladies sang every word. Sometimes
the voice was low, sometimes very shrill, and when embarrassed for a
word, they trilled and quavered, remaining on a very high note until
they remembered how the story went, when they gleefully descended
the scale, began again, and poured forth further torrents of words.
Sometimes they paused, walked rapidly across the room, and spat through
the window. “She is full of understanding,” Datu Isa would say after
one of these journeys to the window. “She knows her work!” “Her words
come from ancient times!” “It is beautiful exceedingly!” Meanwhile, the
reciter, holding her draperies firmly round her, left the window, and
bending double as she passed us as a sign of respect, took her place
once more in the centre of her admiring circle and began afresh, until
stopped again in the same way, when the same ejaculations of admiration
came from us all.
[Illustration: DAIANG SAHADA, DAIANG LEHUT, MRS. MAXWELL, THE AUTHOR
AND ATTENDANTS]
Public-domain text, read in full here on John Shaqi.
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