But what shall I say of Zola himself, and my admiration of his epic
greatness? About his material there is no disputing among people of our
Puritanic tradition. It is simply abhorrent, but when you have once
granted him his material for his own use, it is idle and foolish to deny
his power. Every literary theory of mine was contrary to him when I took
up 'L'Assommoir,' though unconsciously I had always been as much of a
realist as I could, but the book possessed me with the same fascination
that I felt the other day in reading his 'L'Argent.' The critics know
now that Zola is not the realist he used to fancy himself, and he is full
of the best qualities of the romanticism he has hated so much; but for
what he is, there is but one novelist of our time, or of any, that
outmasters him, and that is Tolstoy. For my own part, I think that the
books of Zola are not immoral, but they are indecent through the facts
that they nakedly represent; they are infinitely more moral than the
books of any other French novelist. This may not be saying a great deal,
but it is saying the truth, and I do not mind owning that he has been one
of my great literary passions, almost as great as Flaubert, and greater
than Daudet or Maupassant, though I have profoundly appreciated the
exquisite artistry of both these. No French writer, however, has moved
me so much as the Spanish, for the French are wanting in the humor which
endears these, and is the quintessence of their charm.
You cannot be at perfect ease with a friend who does not joke, and I
suppose this is what deprived me of a final satisfaction in the company
of Anthony Trollope, who jokes heavily or not at all, and whom I should
otherwise make bold to declare the greatest of English novelists; as it
is, I must put before him Jane Austen, whose books, late in life, have
been a youthful rapture with me. Even without, much humor Trollope's
books have been a vast pleasure to me through their simple truthfulness.
Perhaps if they were more humorous they would not be so true to the
British life and character present in them in the whole length and
breadth of its expansive commonplaceness. It is their serious fidelity
which gives them a value unique in literature, and which if it were
carefully analyzed would afford a principle of the same quality in an
author who was undoubtedly one of the finest of artists as well as the
most Philistine of men.
Public-domain text, read in full here on John Shaqi.
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