My Lords of Strogue, Vol. 3 (of 3): A Chronicle of Ireland, from the Convention to the UnionWingfield, Lewis
History
My Lords of Strogue, Vol. 3 (of 3): A Chronicle of Ireland, from the Convention to the Union
Wingfield, Lewis
Historical fiction; Ireland -- History -- 18th century -- Fiction
My lady crawled along the carpet on her knees--a bundle of loose
draperies--her head bent down, her white hair straggling, towards her
son, who recoiled. The aspect of this piteous ruin--this soul-stricken
wreck, the mainspring of whose life was broken, whose courage had
ebbed quite away--suffused the heart of Terence with unutterable pity.
He raised his mother in his stalwart arms, and pressing his warm lips
to hers, whispered:
'Hush, hush! I know all. You have but one child now. Bless me!'
* * * * *
But little more remains to be told. Evil, though it seemeth to
flourish like the bay-tree, doth not always prosper in the long run.
Lord Cornwallis turned his back on Ireland, glad to depart. Cassidy
and Sirr came to blows, and fought a duel on the subject of Terence's
release. For those worthies had arranged to share together the reward
which Shane was to have given for their little service. But Shane's
murder altered the face of matters, and Cassidy, with a presence of
mind which did him honour, flew off at once to set free the new Lord
Glandore and claim the merit of having done so. The town-major,
however, knew his man. The giant's endeavours were fruitless, and Sirr
found him blustering at the provost-gate when, in obedience to Lord
Clare's behest, he came, with feigned surprise, to carry the new lord
back to his ancestral home. Sirr saw through his crony's intention,
and branded him hotly with being 'no gintleman,' and a 'mean fellow;'
whereupon the two met on Stephen's Green, and, after a few passes,
declared 'honour satisfied.' The nests of both were well feathered.
One became noted for pious works; the other set up as a patron of art,
and formed the finest collection of snuff-boxes in the three kingdoms.
Robert Emmett was hanged in Thomas Street, and met his fate with
fortitude. The same enthusiasm which allured him to his doom enabled
him to support with serene courage its utmost rigour. His extreme
youth and well-known talents filled the spectators with grief. He sang
'The Sword' with a firm and mellow voice, which never quailed till,
the board on which he stood being tilted up, he was set free to join
the band that were impatiently awaiting him beyond the Styx.
Public-domain text, read in full here on John Shaqi.
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