I trod as lightly as I could through a resounding corridor, having a
profound regard for all sleeping things, past many leather leggings and
spurred boots outside of silent doors.
When I left the canteen, the guard, in answer to my cry, “Sentinelle!”
said, as he opened the gate, “_Ce n’est pas comme à Verdun, où l’on ne
passe pas_”; and then, “_Bonsoir, Mees._” It was so easily and gracefully
said in the inimitable French way.
_October 17th, 7.30 a.m._
Tea, a lukewarm pale-gray beverage, with some still crisp leaves afloat
on the top. I would have been ungrateful if I had not thought of the
Hôtel des Vosges. Mrs. Church, fresh and strong as the morning, though
just back from night shift, boiled some water for me and I blessed
her. The bleakness of this room is indescribable. Two lithographs of
the “_Angelus_” and “_Les Glaneurs_” but add to the desolation. A
red-and-yellow striped paper on the walls; on the floor a worn square
of Brussels carpet; brown woolen curtains; shutters with slats askew; a
large mahogany chest of drawers; a grayish dimity cover to the feather
bed, with machine-stitched _motifs_ showing its ugly yellow case
underneath; linen sheets, large, thick, and clean—and you have almost
any room of La Haute Mère Dieu. Except Mrs. C.’s with its extraordinary
bed, painted cream-color, having large “Empirish” corners formed by
pale green and gilt Egyptian unduly voluptuous Sphinx-like figures, and
a brownish-red plush baldaquin from which depend some yellowish-brown
curtains; the brown carpet with purplish flowers is a protest between the
two, and the rest of the room a riot of gilt mirrors. It’s a room one
couldn’t forget, and why provincial hotels cling so to brown upholstery
I don’t know. They give the effect of being old and dirty even when they
are—_perhaps_—new.
The corridor has been a sounding-board since dawn, and all during the
night _camions_ were being driven over the cobblestones, and motor horns
rent the darkness. My room looks out over an old garden. A tall, dead
tree-trunk has immemorial ivy clinging to it, and there is an old round
well, half covered, and beyond the gate, with ivy and moss-grown urns, is
a street that would have been quiet except for the _camions_; and I can
see a row of distinguished-looking, plain-façaded gray houses of another
century, opposite.
The German General Staff was lodged here before the battle of the Marne,
the chambermaid told me, with a reminiscential gleam in her eyes.
Public-domain text, read in full here on John Shaqi.
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