At last we found ourselves on the road bounded by the meadows of the
silent crosses, skirting the hill of Léomont, with its great scars of
1914 shell-holes, beneath which is a little village with the strange name
of Anthelupt. The Romans were all about here and it was once “Antelucus”
(before the sacred grove), and afterward was a dependence of the priory
of Léomont built on the site of the ancient temple to the moon. Then
we found ourselves on the broad ridge of road leading to Crévic. Great
stretches of Lorraine, _l’élégante et mélancolique Lorraine_, were flung
out before us under rain-clouds and sunbursts—lovely stretches, with
fields of mustard greedy for the light, blowing patches of red-stemmed
osier, and everywhere fields of beet-root in which women and old men and
little children were working, piling high red-white mounds or separating
the wilted leaves into greenish-yellow piles.
Crévic is shot to bits. Of the château of General Lyautey[15] but a few
crumbling walls remain. Though the piles of stones and mortar are covered
with the green of three summers’ growth, still the cannon are booming to
the east and north. The perfectly banal church is intact. People were
walking about the streets and improvised roofs cover some sort of homes,
and there seemed many very little children. We passed out over an old
bridge in a dazzling sunburst, while a great curtain of rain hung to the
west near Dombasle, the smoke-columns of whose hundred chimneys caught
and held and reflected the gorgeous afternoon light, and there were other
great stretches of unspeakable beauty, soft, rolling, and radiant—crying
out about the generations that have bent over them.
The great village of Haraucourt has a lovely destroyed church of pure
Gothic that workmen are at last roofing over; but three winters have
already passed over its beauty, unsheltered and unguarded. We go out
through the village in the direction of Dombasle, and suddenly against
some gorgeous masses of clouds we see an _avion de chasse_, “type
Nieuport,” as E. M., who has ample reason to be expert in things aerial,
tells me. There is a moment when it is a great silver brooch pinning two
gray velvety curtains together, where a ray of blinding light falls. Then
it makes a series of marvelous _vrilles_, and I say to her, “How can men
who do that love finite woman?” A great observation balloon, _saucisse_,
hung in the sky, and another broad shaft of light lay on the far hills
behind which lie intrenched gray-clad men with pointed helmets.
Public-domain text, read in full here on John Shaqi.
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