But I had really nothing to do with any of these political journals:
I only read the literary news. As I had found a dinner which cost me
nothing, I decided to spend the price of my dinner on a theatre ticket,
a ticket for a play: I hunted through the theatre advertisements in all
the newspapers, and, guided by Hiraux in the choice of the literature
on which I proposed to spend my evening, I decided to go to the
Porte-Saint-Martin.
The play was the _Vampire._ It was only the third or fourth
representation of the revival of this piece. Hiraux advised me to make
haste; the piece had caught on and was drawing crowds. It was played
by the two actors who were popular at the Porte-Saint-Martin: Philippe
and Madame Dorval. I followed Hiraux's advice; but, in spite of all the
haste I made, it is a long way from the _Café de la Porte-Saint-Honoré_
to the theatre of the Porte-Saint-Martin: I found the approaches to it
blocked.
I was quite fresh to Paris. I did not know all the various theatre
customs. I went along by the side of an enormous queue enclosed in
barriers, not daring even to ask where the entrance-money was taken.
One of the _habitués_ in the queue no doubt perceived my confusion, for
he called out to me--
"Monsieur! monsieur!"
I turned round, wondering if he were addressing me.
"Yes ... you, monsieur," continued the habitué, "you with the frizzy
locks ... do you want a place?"
"Do I want a place?" I repeated.
"Yes. If you put yourself at the bottom of this queue, you will never
get in to-night. Five hundred people will be turned away."
This was Hebrew to me. Of his language I only gathered that five
hundred folk would be turned away and that I should be one of the
number.
"Come, would you really like my place?" continued the habitué.
"Have you got a place, then?"
"Can't you see for yourself?"
I could see nothing at all.
"Taken in advance, then?" I asked.
"Taken since noon."
"And a good one ...?"
"What do you mean by good?"
Now it was the habitué who did not understand.
"Well," I went on, "shall I have a good place?"
"You can sit where you like."
"What! I can sit where I like?"
"Of course."
"How much did your place cost?"
"Twenty sous."
I reflected within myself that twenty sous to sit where I liked was not
dear. I drew twenty sous from my pocket and gave them to the _habitué_,
who immediately, with an agility that proved he was well accustomed
to this exercise, climbed up the rails of the barrier, got over it and
alighted by my side.
"Well," I said, "now where is your place?"
"Take it, ... but look sharp; for, if they push up, you will lose it."
At the same moment light broke in on my mind: "Those people, inside
that barrier, have no doubt taken and paid for their places in advance,
and it is in order to keep them they are penned in like that."
Public-domain text, read in full here on John Shaqi.
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