Oscar replied: "Yes! and these monsters are called vampires. A Power
whose inscrutable decrees we are not permitted to call in question,
has permitted certain miserable beings, who are tormented by the
punishments which their crimes have drawn down upon them on this earth,
to enjoy a frightful power, which they exercise by preference over the
nuptial couch and over the cradle; sometimes their formidable shapes
appear clothed in the hideous guise death has bestowed upon them;
others, more highly favoured, because their career is more brief and
their future more fearful, obtain permission to reclothe themselves
with the fleshy vesture lost in the tomb, and reappear before the
living in the bodily shapes they formerly possessed."
"And when do these monsters appear?" asked Ithuriel.
"The first hour of the morning wakes them in their sepulchre," replied
Oscar. "When the sound of its sonorous stroke has died away among the
echoes of the mountains, they fall back motionless in their everlasting
tombs. But there is one among them over whom my power is more limited
... what am I saying?... Fate herself can never go back on her
decisions! ... After having carried desolation into twenty different
countries, always conquered, ever continuing, the blood which sustains
its horrible existence ever renewing its vitality ... in thirty-six
hours, at one o'clock in the morning, it has at length to submit to
annihilation, the lawful punishment of an infinite succession of
crimes, if it cannot, at that time, add yet another crime, and count
one more victim."
"My God! think of writing a play like that!" murmured my neighbour.
It seemed to me that he was too critical; for I thought this
dialogue was couched in the finest style imaginable. The prologue
continued. Several persons who had heard my neighbour gave vent to
various whispered comments on the presumption of this indefatigable
interrupter; but, as he buried himself in his _Pastissier françois,_
the murmurs ceased.
It is unnecessary to point out that the young betrothed asleep on the
tomb was the innocent heroine who was destined to be the bride of the
Vampire, and had the public been in any doubt, all their doubts would
have been dispersed after the last scene of the prologue.
"What do I hear?" said Ithuriel; "thy conversation has kept me long
while in these caves."
As the angel of the moon asks this question, the silvery chime of a
distant clock is heard striking one, and the reverberation is repeated
in echoes again and again.
_Oscar._ "Stay and see."
All the tombs open as the hour sounds; pale shades rise half out of
their graves and then fall back under their monumental stones as the
sound of the echoes dies away.
A SPECTRE, clad in a shroud, escapes from the most conspicuous of these
tombs: his face is exposed; he glides to the place where Miss Aubrey
sleeps, exclaiming--
"Malvina!"
_Oscar._ "Withdraw."
_Spectre._ "She belongs to me!"
Public-domain text, read in full here on John Shaqi.
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