A troop of poverty-stricken actors came to Villers-Cotterets
(you will understand they must have been poor indeed to come to
Villers-Cotterets), and there they pretty nearly died of starvation.
They consisted of but one family named Robba. These poor devils were
possessed with the idea of giving a benefit for themselves, and they
thought of begging two or three young ladies and young gentlemen of the
town to play with them and for them. Naturally I was applied to. Nature
had already implanted in my heart that fountain of goodwill through
which everything that I had, that I have, that I shall have, passed,
passes, and always will pass. I agreed to undertake the rôle of Don
Ramire. All the other mothers refused to allow their boys and girls
to act. Were their children going to mount the boards and play with
ordinary actors? No indeed! My mother alone kept her promised word, and
I was the only artiste on this special occasion whose name, printed in
big letters on the bills, was utilised in the philanthropic mission of
obtaining a good audience for them.
I had to concoct a costume. It was a lengthy business to bring such an
operation to a conclusion. Happily, no one was very exacting at that
period, above all at Villers-Cotterets. Even Talma, who was a great
renovator, played _Hamlet_ in white satin breeches, _bottes à cœur_
and a polonaise. But of this wardrobe I only had the _bottes à cœur:_
I could not play Don Ramire with the aid only of the boots. We made
a tunic,--everybody played in tunics at that epoch,--and a splendid
tunic it was, indeed, for it was made out of two red cashmere shawls,
ornamented with a great gold-flowered pattern; my father had brought
the shawls from Egypt, and I believe I have already referred to them.
We contented ourselves with sewing them together, leaving an opening
on each side for my arms, a sword-belt at the waist serving as a
girdle; out of each arm-hole appeared a satin sleeve, and Don Ramire
was, if not exactly sufficiently, at least sumptuously and modestly,
clad from the shoulders to half-way down his thighs. A turned-down
collar and a satin toque to match the tunic in colour completed the
upper part of the costume. But the question of the lower half was more
serious. Tights were rare in Villers-Cotterets; I might even say that
they were unknown; so it was of no use wishing to procure tights: it
would have been time wasted, a vision, a dream. The longest pair of
silk stockings that could be found, sewed into a pair of drawers, did
the business. Then came the laced boots. Ah! these laced boots, they
were an invention of my own. A second pair of silk stockings were dyed
red; soles were sewed to them; they were put over the first pair,
then turned back, rolled up to within three inches of the ankle; the
roll was tied fast to make a pad; we imitated the lacing of a laced
boot with green ribbon; and then this footgear formed the base of a
presentable-looking Don Ramire, who, atop, indulged in the luxury
Public-domain text, read in full here on John Shaqi.
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