My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
General
My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
"Vous êtes Français, vous; mais ces Italiens,
L'idiome mielleux qui détrempe leurs âmes
Semblerait fait exprès pour un peuple de femmes;
D'énergiques accents ont peine à s'y mêler.
Un homme est là; l'on croit qu'en homme il va parler;
Il parle, on se retourne, et, par un brusque échange,
A la place d'un homme, on trouve une louange."-!!!
It was to the last line that the three wretched notes of exclamation
had been affixed, which were intended to express many things. For
the most part, Picard's criticisms were laconically brief. After the
following lines came one huge note of interrogation:--
"Sur le chemin des rois, l'oubli couvre ma trace;
Mon nom, comme un vain bruit, s'affaiblit dans l'espace:
Ce n'est plus qu'un écho par l'écho répété,
Et j'assiste vivante à la postérité.
Je crus que plus longtemps--mon erreur fut profonde!--
Mon abdication bruirait dans le monde ...
Pour le remplir encore un but m'est indiqué;
Je veux reconquérir cet empire abdiqué.
Comme je la donnai, je reprends ma couronne,
Et l'on dira que j'ai le caprice du trône!"--?
a point of interrogation which seemed to say, "Perhaps the author
understands this passage. I, certainly, do not."
After the last line--
"Eh bien, j'en ai pitié, mon père ... Qu'on l'achève!"
was written the word "IMPOSSIBLE."
Was it the piece which was _impossible_ or only that line? Picard had
had the delicacy to leave me the benefit of the doubt. I related my
adventure to Taylor and showed him Picard's notes.
"All right," he said; "leave the play with me and return to-morrow
morning."
I left the play with him, feeling very subdued in spirits. I was
beginning to learn to my cost that the joys connected with the
theatre are the opposite of those in nature, and belong only to early
days--after that brief period one's real troubles immediately begin. I
took good care to keep my engagement and was with Taylor by eight next
morning. He showed me my manuscript, across which Nodier had written in
his own handwriting--
"Upon my soul and conscience, I declare _Christine_ is one of the most
remarkable works I have read for the last twenty years."
"You realise," said Taylor to me, "I shall need that to back me up. You
must keep yourself in readiness to re-read your play on Saturday."
"Monsieur le Baron," I said to him, "I am in an office, and there they
are all the more strict with me because I go in for literary work,
which bureaucratic eyes look upon as an unpardonable crime. Could I
read it on Sunday, rather than Saturday?"
"It is contrary to all custom, but I will see what I can do."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account