The usual hour for the courier having come, I was quietly escaping to return and receive him at my office, when Delanoue ran after me and caught me up under the peristyle. He had been deputed by the Villenave family to invite me to go and take tea with them at their house, after the meeting. I owed this favour to the kind things my friend Delanoue had said about me. I then had to inquire where the Villenaves lived. No. 82 rue de Vaugirard. Oh! but 53 faubourg Saint-Denis was a fair distance from my home. Fortunately, during my five years' residence in Paris, I had learnt to know its streets pretty thoroughly, so I did not feel obliged, as on my first visit, to hire a conveyance to take me from the place du Palais-Royal to the rue des Vieux-Augustins. The invitation conveyed by Delanoue had been so courteously and warmly pressed that the least I could do was to accept it. I ran off to the office, attended to the courier and returned. During the half-hour of my absence the sitting had been concluded, and I returned to find M. Villenave in a small drawing-room that opened out of the large hall, receiving the congratulations of his friends. Delanoue introduced me to M. Villenave and to his family. The Villenave family consisted first of Madame Villenave, a very gracious little old lady, very intellectual and an experienced society entertainer, but very fond of grumbling in her home-life, for she suffered, like Anne of Austria, from a cancer which ultimately killed her; Théodore Villenave, a tall, energetic young fellow, an author, at that time, of various fugitive poems, and translator of _Wallenstein_, which was destined to make a great commotion behind the scenes of the Odéon for three or four years before it was put on the stage, where it had a fairly successful reception; Madame Mélanie Waldor, the wife of a captain in the infantry on service and in garrison, who only put in short and rare appearances at Paris, where those who knew him spoke of him as a brave and loyal soldier. Madame Waldor composed fugitive verses, like her brother, which she published in the daily paper; like her brother, too, she afterwards wrote a play which had a successful run under the title of the _École des Jeunes Filles._ Last came Élisa Waldor, who at that period was only a charming little child with the head of a chérubin surrounded by lovely golden curly hair; she afterwards grew into a tall, beautiful woman, and was twice married--and happily each time, I trust.[1]