My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
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My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
"As you see, the glass and the frame are broken; I am waiting to
send it to the glazier's and picture-framer's ... it was a most
incomprehensible thing!"
"What was?"
"The way it fell."
"Did the nail come out, or the ring break?"
"Neither the one nor the other. The day before yesterday I was working
all evening; when it reached a quarter to twelve, I was tired, but I
still had to correct a proof of a handy little edition of my _Ovid._
I decided to combine rest and work by going to bed and correcting the
proofs when I was in bed. So I lay down: I put my candle on the table
by the bedside, and the light from it shone on the portrait of my poor
friend; my glance followed the candlelight and I said good-night to the
picture as usual.... A half-open window let in a little breeze which
blew the flame of my candle about so that it seemed to me as though
the portrait returned my good-night by bending its head as I had done!
You will understand that I looked upon this movement as visionary and
foolish; but, whether folly or a vision, my mind persisted in dwelling
upon the movement, and the more I pondered over it, the more real the
incident seemed; my eyes would stray from my _Ovid_, and fix themselves
on that one point, the picture; my wandering thoughts would fly back,
in spite of myself, to the days of my youth; and these early days
passed before me one by one.... Ah me! I think I have told you that the
original of that pastel occupied a good deal of my attention in those
early days! So there I was, going at full tilt over old recollections
of twenty-five years back; I addressed the copy as though the original
could hear me, and my memory answered for her; it seemed as though
the lips in the pastel moved; I thought the colours of the painting
began to fade, and the expression on the face grew sad and unhappy....
Something like a smile of farewell passed over her lips; a tear came
into her eyes ready to moisten the glass. Midnight began to strike;
and, in spite of myself, I shivered--why, I could not tell! The wind
blew, and, at the last stroke of midnight, while the clock was still
vibrating, the half-open window opened wide violently, I heard a sigh
like a groan, the eyes of the portrait closed, and the picture fell
without either the nail that held it or the cord being broken; and my
candle went out. I tried to light it again, but there was no fire in
the grate, there were no matches on the chimneypiece; it was midnight,
everybody in the house was asleep; so there was no way of obtaining a
light. I shut my window again and I went back to bed.... Although I
was not afraid, I felt much moved, I was sad, I had a great desire to
weep; I thought I heard something pass through my room like the rustle
of a silk dress.... I heard this noise three times so distinctly that I
asked, 'Is there anyone there?' Finally, I fell asleep, very late, and
the first thing I looked at when I woke again was my poor pastel, which
Public-domain text, read in full here on John Shaqi.
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