My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
General
My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
No reward attended my sacrifice. The very next day, the papers
announced that the Committee of the Théâtre-Français, having discerned
more chances in M. Brault's play than in mine, had decided that M.
Brault's piece should be performed, while mine was to be indefinitely
postponed. I could have objected publicly, produced the letter of
M. Brault's son and revealed the engagement entered into by the
Comédie-Française. I did nothing of the kind, and from that day to
this, I have never taken any notice of the petty intrigues of the
papers; I can boast with pride, and without fear of contradiction,
that I have never soiled my hands either to gain my own ends or to
injure other people. Of course, neither M. Brault, the poor dying poet,
nor his son, nor M. Decazes, had any hand in all these intriguing
announcements. I even believe that M. Brault's son had the decency to
write and tell the true version of the facts, and to thank me publicly,
as he had thanked me privately. But although I treated these hardships
with disdain, they had their annoyances. My mother never read the
papers, but the Deviolaine family read them, and everybody in the
offices read them, and charitable souls took care to say to my mother--
"Upon my word, your son is getting himself talked about!"
"What about?" my mother would ask, trembling with fright.
And then they hastened to inform her, and saddened her poor heart, for
I was her all in all, and she was far more anxious about me than I was
about myself.
The rehearsals of M. Brault's _Christine_ were pushed on as fast as
mine had been delayed--though everybody knows what rapidity means at
the Théâtre-Français; M. Brault had ample time in which to die before
the representation of his play, which had only an indifferent success.
As to Madame Valmonzey, she did not even achieve any success. All the
same, my piece was delayed indefinitely.
Soulié had finished his _Christine_ and got it accepted at the Odéon,
with Mademoiselle Georges and Ligier to play the principal parts. And
what was happening to me all this time?...
One of those chances which fate deals out only to those marked out
by destiny gave me the subject of _Henri III._ by just such another
accident as had led me to _Christine._ The only cupboard I had in my
office--the office, it will be remembered, that I ardently coveted--I
had to share with Féresse: I put my paper in it, he put his bottles
there. One day, whether by inadvertence or to play a trick on me,
or to show his superior rights over mine, he took away the key of
this cupboard when going an errand. During his absence I used up all
the paper lying about in my office, and, as I still had three or
four reports to copy out, I went to get some more paper. A volume of
Anquetil lay open, on a desk: I mechanically cast my eyes on it, and at
page 95 I read the following lines:--
Public-domain text, read in full here on John Shaqi.
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