My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
General
My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
"M. Dumas," he said to me, "that is a somewhat subtle question, and one
which, if you must have it answered, should be referred to a council
and not to a prince of the blood. However, you are right about the
portrait; I will put _Napoléon Bonaparte_."
I bowed and withdrew to the library.
The duke remained in the picture gallery lost in thought.
CHAPTER V
The things that are the greatest enemies to the success of a play
--The honesty of Mademoiselle Mars' as an actress--Her dressing-room
--The habitués at her supper-parties--Vatout--Denniée--Becquet
--Mornay--Mademoiselle Mars in her own home--Her last days on the stage
--Material result of the success of _Henri III._--My first
speculation--The recasting of _Christine_--Where I looked for my
inspiration--Two other ideas
At the thirty-fifth representation of _Henri III._ Mademoiselle Mars
was obliged to take her holiday. She did her utmost to persuade the
Comédie-Française to compensate her for this holiday; she gave them
every possible facility, but the Comédie-Française would not listen
to anything. The success of _Henri III._ served certain interests but
wounded certain _amour-propres._ At the Comédie-Française one suffers
from a peculiarity unknown, or very nearly so, in any other theatre.
The author whose piece is being acted makes enemies of all the actors
who are not taking part in it.
Towards the close of the run of _Henri III._ I noticed Monrose, an
excellent comedian whose talents should have raised him above the
paltry jealousies of those of lesser genius, come into the green-room,
rubbing his hands together and exclaiming gleefully--
"Ah! we have taken five hundred francs less to-night than at the last
representation!"
I was present--he had not perceived me at first, and, when he caught
sight of me, he pretended not to have seen me, and went away.
Mademoiselle Mars was on the point of renouncing her holiday, so
reluctant was she to interrupt the success of the run.
Mademoiselle Mars was an exceedingly straightforward, honest actress, I
nearly said an honest _man_, and punctiliously accurate; everyone did
his duty when connected with her, because she did hers as carefully as
a pupil during her first year at a boarding-school. Once only was she a
few minutes late at a rehearsal.
"I beg your pardon for being a quarter of an hour late," she said as
she came in; "but I have just lost forty thousand francs.... Let us be
quick and begin." And she rehearsed as though nothing had happened.
Once, when she was going on the stage, she had a sort of apoplectic
fit; but, instead of interrupting the play, as any other actress would
have done, she sent for leeches, and between the first and third acts
she took advantage of the second act, in which she did not have to
appear, to apply them to her chest. When I entered her dressing-room
after the play, she was covered with blood down to her slippers.
Public-domain text, read in full here on John Shaqi.
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