My Memoirs, Vol. III, 1826 to 1830Dumas, Alexandre
General
My Memoirs, Vol. III, 1826 to 1830
Dumas, Alexandre
Dumas, Alexandre, 1802-1870
uttered commands, would give vent to hoarse, raucous, inhuman cries,
expressive, alternately, of satisfaction or anger, according as matters
pleased him or he saw something that offended his sense of discipline.
For, indeed, his anger was a terrible sight, and his good humour was
that of a rough savage.
If he were pleased, he would double up in fits of laughter, rubbing his
hands together noisily and hilariously, stamping on the ground first
with one foot and then with the other: if he caught sight of a child
at the moment, he would catch hold of it, turn it over and over like a
monkey with a doll, make the child kiss him, pinch its cheeks, pull its
nose, and then putting it down, he would send it away with the first
piece of gold or silver in its hands that he could find in his pocket.
When he was angry, he roared aloud, striking the soldier who had
failed in his work, himself pushing the man towards the prison,
shouting or rather yelling imprecations after him till the man was out
of sight. His severity indeed extended to all--to animals as well as to
men. One day he had a monkey hung because it was too noisy: he lashed
a horse again and again and again with his riding-stick because it
stumbled while he had trustingly let the reins fall on its neck for a
little while; and he had a dog shot one morning because it had kept him
awake during the night with its howling. Between these fits of anger
and moments of exultation he was subject to hours of depression. He
fell into moods of deep melancholy which ended in complete prostration.
Weak as a woman, he would lie on his couch or roll about on the floor,
a prey to nervous attacks.
At these times, not even the most favoured person dared go near him.
The last valet to leave the room would open wide the window and the
door, and upon the threshold would appear a fair pale woman, clothed
almost always in a white dress clasped with a blue girdle, her
expression as sad as a ghost's, and, like a ghost, smiling through her
melancholy. The vision had a magical influence upon Constantine; his
spirits grew brighter, he first sighed and then sobbed, cried out, and,
after bitter and abundant tears, he rested his head on the woman's lap
and would fall asleep to wake up cured.
Public-domain text, read in full here on John Shaqi.
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