And, leaving the barricade to be guarded by those who had helped in
its construction, he crossed the Delorme passage, went along the rue de
Rivoli and reached the Vaudeville. People were just going in.
"There shall be no play while fighting is going on!" he said; "give the
people back their money!"
Then, to those who persisted in going in--
"Pardon, messieurs," he said--"there shall be no laughing at the
Vaudeville whilst Paris is in tears."
And he began trying to shut the gate.
"Monsieur," a voice asked, "why are you closing the Vaudeville?"
"Why? ... Because I am the manager of the theatre and choose to close
it."
"Yes, but the Government does not choose to do so: in the name of the
Government I order you to leave it open!"
"Who are you?"
"Heavens! you know me well enough."
"Possibly, but I want those who are listening and taking part in this
debate to know who you are too."
"I am M. Mazue, Superintendent of Police."
"Well, then, Monsieur Mazue, Police Superintendent, look out for
yourself!" replied Arago, pushing against the grating; "those who do
not go will soon be crushed."
"Monsieur Arago, to-morrow you will be no longer manager of the
Vaudeville!"
"Monsieur Mazue, to-morrow you will no longer be the Superintendent of
Police."
"We shall see about that, Monsieur Arago!"
"I hope so, Monsieur Mazue!"
With the help of two scene-shifters, Étienne closed the grille, in
spite of the efforts of the police officers; then, leaving by the stage
door, he began the work of closing the other theatres--an act that had
an immense influence upon that evening's proceedings and upon those of
the next day.
All these details were related to us behind the carefully closed doors
of the café Gobillard. We were there to the number of three or four
and, as we had been rushing about the whole day, we were dying with
hunger. We ordered supper. The topic of our conversation can easily
be guessed. Some said that the agitation of the hour was of not more
significance than that of 1827, and that the riot had not strength
to rise to the proportions of a revolution, but would fail in like
manner. Others, and I among them, believed, on the contrary, that we
were but at the prologue of the comedy and that the morrow would show a
different state of things altogether. We were in the full flow of this
discussion when the sound of firing startled us and made us shudder.
It was fired in the square. Almost immediately there was a cry of "To
arms!" followed by a noise like that of a hand-to-hand combat.
"You see," I said, "the drama begins!"
Public-domain text, read in full here on John Shaqi.
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