[Footnote 11: "'You have written _Struensee_!' he says to me. Does
M. Dumas think to prove by that that I have done nothing in _La Tour
de Nesle_? He forgets, then, that he, too, has written also _La
Chasse et l'Amour, La Noce et l'Enterrement_? (who has heard these
plays mentioned?) Then the wretched _Napoléon,_ which has had two
Waterloos, dragging with it in its second the downfall of the Odéon
and of M. Harel! then, immediately after _La Tour de Nesle, Le Fils de
l'Émigré,_ which had three performances with M. Anicet; _Angèle,_ which
had thirty with M. Anicet; _La Vénitienne,_ which had twenty with M.
Anicet; _Catherine Howard,_ which has had fifteen without M. Anicet?
Are we really to suppose that M. Dumas is not therefore the author of
the beauties of _Antony,_ of _Henri III.,_ and of _Christine_? It has
surely been said so here and there, and even partly proved! Perhaps it
is to this that I owe M. Dumas's attack? But he need not be anxious: I
shall never write a _Gaule et France_ and certainly not a _Madame et la
Vendée._]
CHAPTER V
Sword and pistol--Whence arose my aversion to the latter
weapon--Philippe's puppet--The statue of Corneille--An autograph _in
extremis_--Le bois de Vincennes--A duelling toilet--Scientific question
put by Bixio--The conditions of the duel--Official report of the
seconds--How Bixio's problem found its solution
I had wished the duel to be one with swords; M. Gaillardet insisted
it should be with pistols. I have a strong repugnance to that weapon;
it seems to me brutal and more that of a highway robber, who attacks
a traveller from the shelter of a wood, than that of the honourable
combatant defending his life. The thing I dread most in pistol-duelling
(but I have only fought twice with this weapon) is unskilfulness, much
more than dexterity. Indeed, two or three years before the period in
which the events I am relating took place--namely, before 1834--I had
had a pistol-duel; I have not spoken of it, not being able to give
the name of the man against whom I fought, nor to tell the reasons
why I was fighting. In that duel, which took place at seven in the
morning in the bois de Boulogne, in the neighbourhood of Madrid, my
adversary and I were placed at twenty paces distance from one another.
Lots were drawn as to who should fire first and the advantage fell to
my adversary. I planted myself, with pistol loaded, at a distance of
twenty paces and I waited for the firing with the muzzle of the barrel
of my weapon in the air.
Public-domain text, read in full here on John Shaqi.
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