To this state, then, had Paris reached when we appeared at the
barrière de Bercy, and when the populace, on guard, informed us
that Louis-Philippe was at his last gasp and that the Republic was
proclaimed. We went along the boulevard Contrescarpe in hot haste. At
the place de la Bastille we found the 12th Light, who let us pass. The
boulevards were nearly deserted. When we got to the rue de Ménilmontant
I saw a barricade; it was guarded by a single artillery-man. I went
up to him and recognised Séchan, rifle on shoulder--the same rifle of
which I have already spoken in connection with the famous night at the
Louvre. I stopped; I knew nothing positively, so I asked him for news
and begged him to explain why he was alone. The rest were famished with
hunger and were eating a hasty meal in Bastide's woodshed. They must
run at the first sound of firing. I learnt from Séchan what had passed
in the boulevard Bourdon and I went on my way. My two companions of
the route rushed down the rue de Bondy; I followed the boulevard. It
was intersected at the top of the street and the faubourg Saint-Martin
by a detachment of the line; the men were drawn up in three rows. I
was asking myself how I could go through that triple line alone, in
my hostile uniform, when I discovered among the ranks an old battery
comrade. True, I nearly fought a duel with him at the time over a
difference of opinion. He was dressed in a round jacket, a policeman's
helmet and a pair of the buttoned knickerbockers called charivaris.
He had a double-barrelled gun in his hand, and had joined the troops
as an amateur. Having recognised him, I thought I might feel easy and
continued to advance, making signs with my hand. He lowered his gun. I
thought he had recognised me, and was joking or wanted to frighten me,
so I still went forward. Suddenly, he disappeared in a cloud of fire
and smoke and a bullet whistled in my ears. I saw things were serious.
I was by the café de la Porte-Saint-Martin. I wanted to run into the
theatre passage, but it was closed. I thrust the door of the theatre
open with one kick. The fourth or fifth performance of _La Tour de
Nesle_ was put up on the bills. I ran to the property stores. I came
across Harel on the stage. He tore his hair at seeing his successful
run interrupted. As he perceived that I was turning away from him, he
said, "Where are you going?"
"To the property stores."
"What do you want there?"
"Have you such a thing as a rifle?"
"_Pardieu!_ I have a hundred. You know very well we have just been
playing ... that is to say, unfortunately not I, but Crosmer ...
_Napoléon à Schönbrünn."_
"All right, I want a rifle."
"What for?"
"To return one of my friends a bullet he has just sent at me. Only, I
hope to be more adroit than he was."
"Oh! my friend!" exclaimed Harel, "you are going to get the theatre
burnt down!" And he placed himself in front of the door leading to the
property stores.
Public-domain text, read in full here on John Shaqi.
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