"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of LondonCastle, Egerton
History
"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of London
Castle, Egerton
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
“Grandson Lionel, your cousin Edward is drunk. Conduct him, I say, from
this apartment and let him be physicked. Madam, I am surprised you find
amusement in such an indecorous scene. Foh! It seems truly that we shall
have no cards to-night. Diana, child, take your guitar and sing for us.
Sing that old sweet song of Master Herrick’s.—My Lord Rockhurst, have you
yet heard this new instrument?”
But the Lord Constable had followed Diana as she moved across the room to
seek the guitar. They stood together a second; he saw her hand tremble
over the olive-wood case.
“Nay, child, you can never sing to-night!” he whispered.
“My lord, I must—anything to soothe her. Oh, the physicians have ever
warned us of the danger of agitation for her!”
“Diana!” Lady Chillingburgh’s voice was weak and strained; her face
seemed to have suddenly shrunk; extinct was the fire in the eyes. Yet the
will still struggled. “Sing!”
Rockhurst stood behind Diana, a strong, quiet presence, watchful,
comforting. She smiled at him over her shoulder. He bent to her, and
under cover of the first chords:—
“You, at least, are not afraid?” he asked.
“No, my lord.”
Lionel Ratcliffe had taken no pains to fulfil his grandmother’s behest;
and already she seemed to have forgotten it; but he had soothed Edward
Hare after his own fashion—by a bumper of wine and a whispered promise to
provide the travel money himself. Now in the lull he took a seat behind
Madame de Mantes and, his eyes on Rockhurst and Diana, began in a fierce
undertone:—
“Do you not see how it is with them? Why, in this evening’s folly
everything conspires to give them to each other. You wait the ripe
moment, say you? Gad! Look there, I say: there is that other woman with
the man you love—claim him now! ’Tis your last chance!”
Madame de Mantes, who, since Lady Chillingburgh’s rebuke, had been
sitting, her chin propped up on her hands, her curls concealing her face,
turned slowly toward him. He started. For all his fortitude a shudder ran
through him.—Through her mad eyes the Pestilence was looking upon him!
* * * * *
Diana’s voice rose faint but sweet:—
_Ask me why I send you here_
_This sweet infanta of the year?_
_Ask me why I send to you_
_This Primrose thus bepearled with dew?_
Lady Chillingburgh, with closed lids, beat time vaguely on the arm of
her chair; Edward Hare pondered over his last mouthful of wine; the
Frenchwoman was muttering to herself and drawing, under the shadow of the
curls, restless patterns on the table with her forefinger. Lionel sat
beside her, his starting eyes upon her face.
_I will whisper to your ears:_
_The sweets of Love are mixed with tears!_
sang Diana, in a voice that had grown firmer and clearer.
Public-domain text, read in full here on John Shaqi.
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