"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of LondonCastle, Egerton
History
"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of London
Castle, Egerton
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
“One of the earliest and best works of this famous novelist.… None but a
genuine artist could have made so true a picture of human life, crossed
by human passions and interwoven with human weakness. It is a perfect
specimen of literary art.”—_The Newark Advertiser._
=Marzio’s Crucifix=
“We have repeatedly had occasion to say that Mr. Crawford possesses in
an extraordinary degree the art of constructing a story. It is as if it
could not have been written otherwise, so naturally does the story unfold
itself, and so logical and consistent is the sequence of incident after
incident. As a story, _Marzio’s Crucifix_ is perfectly constructed.”—_New
York Commercial Advertiser._
=Heart of Rome.= A Tale of the Lost Water
“Mr. Crawford has written a story of absorbing interest, a story with
a genuine thrill in it; he has drawn his characters with a sure and
brilliant touch, and he has said many things surpassingly well.”—_New
York Times Saturday Review._
=Cecilia.= A Story of Modern Rome
“That F. Marion Crawford is a master of mystery needs no new telling.…
His latest novel, _Cecilia_, is as weird as anything he has done since
the memorable _Mr. Isaacs_.… A strong, interesting, dramatic story, with
the picturesque Roman setting beautifully handled as only a master’s
touch could do it.”—_Philadelphia Evening Telegraph._
=Whosoever Shall Offend=
“It is a story sustained from beginning to end by an ever increasing
dramatic quality.”—_New York Evening Post._
=Pietro Ghisleri=
“The imaginative richness, the marvellous ingenuity of plot, the power
and subtlety of the portrayal of character, the charm of the romantic
environment,—the entire atmosphere indeed,—rank this novel at once among
the great creations.”—_The Boston Budget._
=To Leeward=
“The four characters with whose fortunes this novel deals, are, perhaps,
the most brilliantly executed portraits in the whole of Mr. Crawford’s
long picture gallery, while for subtle insight into the springs of human
passion and for swift dramatic action none of the novels surpasses this
one.”—_The News and Courier._
=A Lady of Rome=
Mr. Crawford has no equal as a writer of brilliant cosmopolitan fiction,
in which the characters really belong to the chosen scene and the story
interest is strong. His novels possess atmosphere in a high degree.
=Mr. Isaacs= (India)
Its scenes are laid in Simla, chiefly. This is the work which first
placed its author among the most brilliant novelists of his day.
=Greifenstein= (The Black Forest)
“… Another notable contribution to the literature of the day. It
possesses originality in its conception and is a work of unusual ability.
Its interest is sustained to the close, and it is an advance even on the
previous work of this talented author. Like all Mr. Crawford’s work, this
novel is crisp, clear, and vigorous, and will be read with a great deal
of interest.”—_New York Evening Telegram._
=Zoroaster= (Persia)
Public-domain text, read in full here on John Shaqi.
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