"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of LondonCastle, Egerton
History
"My Merry Rockhurst": Being Some Episodes in the Life of Viscount Rockhurst, a Friend of King Charles the Second, and at One Time Constable of His Majesty's Tower of London
Castle, Egerton
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction; Tower of London (London, England) -- Fiction
The words seemed charmingly chosen; but again the underlying, unknown
purpose was perceptible. A quick inspiration came to her: here was the
moment to bargain; and Enguerrand, the little impertinent one, should
know of her easy triumph before this grey English day had turned to the
murky English night.
“If I sing,” she said, “I must have my guerdon.”
Amusement and relief sprang together into his look:—
“Nay, then, pretty one; make your own terms. Pearls for those shell-like
ears—gems for that throat—”
She shook her head till the ringlets danced.
“Speak, then,” he went on impatiently. “What jewel, what bauble?”
She bent forward with a new, adorable softness, coaxing.
“A mere trifle, indeed, milord. I but ask for that locket of yours with
which you were pleased to excite the curiosity of Whitehall last night.”
“How now!” said Rockhurst. He started, and turned the lightning of his
glance, the thunder-cloud of his brow, upon her, a man whom it was not
good to offend, and she quailed an instant. Then her hot blood rose in
jealous passion:—
“So vastly precious? Why, then, generous milord Constable, suppose I put
a high price upon my song; are you so ungallant?”
“Little madame,” retorted he, drily, “since you set a price on your
favour, you would be as vastly disappointed with this poor trinket as Eve
with the taste of her apple. Continue to desire it,” he went on, falling
back into his tone of light cynicism. “To long for anything unattainable
is one of the spices of existence.”
The firelight leaped on her angry face. She sprang to her feet, dashing
aside the guitar, which fell on the stone floor with sonorous wail.
“If I could flatter myself I was helping to provide milord’s tedium with
such a spice,” she cried, “my immediate departure would have a double
charm!”
[Illustration: She felt at last that she had power.]
She reached a trembling hand toward her cloak. He, outstretched on the
settle, watched her, without moving. At this moment, grave sounds, a
trumpet call, followed by dull roll of kettledrum, rose from without
into the momentary silence of the room. Stone wall and vault gave back
the echo. There was a hurried tramp of feet, sharp cries of command. The
Frenchwoman’s hand was arrested in mid-air. She looked in startled query
at her host, who was slowly gathering his long limbs together preparatory
to rising. He met her glance with one that struck her excited fancy as
sinister, and she gave a cry like a child:—
“Let me out of this horrible place! You have no right to keep me here!”
He caught her wrist with a grasp gentle yet relentless.
“Your password, Jeanne, shall be a song—however short, but one stave, a
few notes! Your song I must have!”
He picked up the guitar, and again pressed it upon her. She put her
hand to her throat with a sob, flung a piteous glance around her like a
trapped thing, and struck a faltering chord. Then, in a sudden revulsion,
her courage rose again.
Public-domain text, read in full here on John Shaqi.
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