What was it, then? Plainly this, as I believe. The Unknown Public is,
in a literary sense, hardly beginning, as yet, to learn to read. The
members of it are evidently, in the mass, from no fault of theirs,
still ignorant of almost everything which is generally known and
understood among readers whom circumstances have placed, socially and
intellectually, in the rank above them. The mere references in Monte
Christo, The Mysteries of Paris, and White Lies (the scene of this
last English fiction having been laid on French ground), to foreign
names, titles, manners, and customs, puzzled the Unknown Public on the
threshold. Look back at the answers to correspondents, and then say,
out of fifty subscribers to a penny journal, how many are likely to
know, for example, that Mademoiselle means Miss? Besides the
difficulty in appealing to the penny audience caused at the beginning
by such simple obstacles as this, there was the great additional
difficulty, in the case of all three of the fictions just mentioned,
of accustoming untried readers to the delicacies and subtleties of
literary art. An immense public has been discovered: the next thing to
be done is, in a literary sense, to teach that public how to read.
An attempt, to the credit of one of the penny journals, has already
been made. I have mentioned, in one place, a reprint of a novel, and
later, a remarkable exception to the drearily common-place character
of the rest of the stories. In both these cases I refer to one and the
same fiction--to the Kenilworth of Sir Walter Scott, which is
reprinted as a new serial experiment in a penny journal. Here is the
great master of modern fiction appealing, at this time of day, to a
new public, and (amazing anomaly!) marching in company with writers
who have the rudiments of their craft still to learn! To my mind, one
result seems certain. If Kenilworth be appreciated by the Unknown
Public, then the very best men among living English writers will one
of these days be called on, as a matter of necessity, to make their
appearance in the pages of the penny journals.
Public-domain text, read in full here on John Shaqi.
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