"Séraphita" was published three days after the author's absurd
exhibition of himself at the printer's office. In this novel, as in
its predecessor--"Louis Lambert"--Balzac left his own firm ground of
reality, and soared, on the wings of Swedenborg, into an atmosphere of
transcendental obscurity impervious to all ordinary eyes. What the
book meant, the editor of the periodical in which part of it
originally appeared, never could explain. Monsieur Werdet, who
published it, confesses that he was in the same mystified condition;
and the present writer, who has vainly attempted to read it through,
desires to add, in this place, his own modest acknowledgment of
inability to enlighten English readers in the smallest degree on the
subject of "Séraphita." Luckily for Monsieur Werdet, the author's
reputation stood so high with the public, that the book sold
prodigiously, merely because it was a book by Balzac. The proceeds of
the sale, and the profits derived from new editions of the old novels,
kept the sinking publisher from absolute submersion; and might even
have brought him safely to land, but for the ever-increasing dead
weight of the author's perpetual borrowings, on the security of
forthcoming works which he never produced.
No commercial success, no generous self-sacrifice, could keep pace
with the demands of Balzac's insatiate vanity and love of show, at
this period of his life. He had two establishments, to begin with;
both splendidly furnished, and one adorned with a valuable gallery of
pictures. He had his box at the French Opera, and his box at the
Italian Opera. He had a chariot and horses, and an establishment of
men servants. The panels of the carriage were decorated with the arms,
and the bodies of the footmen were adorned with the liveries, of the
noble family of D'Entragues, to which Balzac persisted in declaring
that he was allied, although he never could produce the smallest proof
in support of the statement. When he could add no more to the
sumptuous magnificence of his houses, his dinners, his carriage, and
his servants; when he had filled his rooms with every species of
expensive knick-knack; when he had lavished money on all the known
extravagances which extravagant Paris can supply to the spendthrift's
inventory, he hit on the entirely new idea of providing himself with
such a walking-stick as the world had never yet beheld.
Public-domain text, read in full here on John Shaqi.
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