The woman is a nursemaid, neither young nor pretty, very clean and
neat in her dress, with an awful bloodless paleness in her face, and a
hopeless consumptive languor in her movements. She has only one child
to take care of--a robust little girl of cruelly active habits. There
is a stone bench opposite my window; and on this the wan and weakly
nursemaid often sits, not bumping down on it with the heavy thump of
honest exhaustion, but sinking on it listlessly, as if in changing
from walking to sitting she were only passing from one form of
weariness to another. The robust child remains mercifully near the
feeble guardian for a few minutes--then becomes, on a sudden,
pitilessly active again, laughs and dances from a distance, when the
nurse makes weary signs to her, and runs away altogether, when she is
faintly entreated to be quiet for a few minutes longer. The nurse
looks after her in despair for a moment, draws her neat black shawl,
with a shiver, over her sharp shoulders, rises resignedly, and
disappears from my eyes in pursuit of the pitiless child. I see this
mournful little drama acted many times over, always in the same way,
and wonder sadly how long the wan nursemaid will hold out. Not being a
family man, and having nervously-acute sympathies for sickness and
suffering just now, it would afford me genuine satisfaction to see the
oppressed nurse beat the tyrannical child; but she seems fond of the
little despot; and, besides, she is so weak that if it came to blows,
I am afraid, grown woman as she is, that she might get the worst of
it.
Public-domain text, read in full here on John Shaqi.
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