The first floor is inhabited by a mysterious old gentleman, and his
valet. He brought three cart-loads of gorgeous furniture with him, to
fit up two rooms--he possesses an organ, on which, greatly to his
credit, he never plays--he receives perfumed notes, goes out
beautifully dressed, is brought back in private carriages, with tall
footmen in attendance to make as much noise as possible with the
door-knocker. Nobody knows where he comes from, or believes that he
passes in the house under his real name. If any aged aristocrat be
missing from the world of fashion, we rather think we have got him in
Smeary Street, and should feel willing to give him up to his rightful
owners on payment of a liberal reward. Next door to me, in the second
floor back, I hear a hollow cough and sometimes a whispering; but I
know nothing for certain--not even whether the hollow cougher is also
the whisperer, or whether they are two, or whether there is or is not
a third silent and Samaritan person who relieves the cough and listens
to the whisper. Above me, in the attics, there is a matutinal stamping
and creaking of boots, which go down-stairs, at an early hour, in a
hurry, which never return all day, but which come up-stairs again in a
hurry late at night. The boots evidently belong to shopmen or clerks.
Below, in the parlours, there seems to be a migratory population,
which comes in one week and goes out the next, and is, in some cases,
not at all to be depended upon in the matter of paying rent. I happen
to discover this latter fact, late one night, in rather an alarming
and unexpected manner. Just before bedtime I descend, candle in hand,
to a small back room, at the end of the passage, on the ground floor
(used all day for the reception of general visitors, and empty, as I
rashly infer, all night), for the purpose of getting a sofa cushion to
eke out my scanty allowance of pillows. I no sooner open the door and
approach the sofa than I behold, to my horror and amazement, Mrs.
Glutch coiled up on it, with all her clothes on, and with a wavy,
coffee-coloured wrapper flung over her shoulders. Before I can turn
round to run away, she is on her legs, wide awake in an instant, and
politer than ever. She makes me a long speech of explanation, which
begins with "I beg pardon," and ends with "Thank you, sir;" and from
the substance of which I gather that the parlour lodgers for the past
week are going away the next morning; that they are the likeliest
people in the world to forget to pay their lawful debts; and that Mrs.
Glutch is going to lie in ambush for them all night, in the
coffee-coloured wrapper, ready the instant the parlour door opens, to
spring out into the passage and call for her rent.
Public-domain text, read in full here on John Shaqi.
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