With her, my studies of character among maids-of-all-work come to an
end. I hear vague rumours of the arrival of Number Four. But before
she appears, I have got the doctor's leave to move into the country,
and have terminated my experience of London lodgings, by making my
escape with all convenient speed from the perpetual presence and
persecutions of Mrs. Glutch. I have witnessed some sad sights during
my stay in Smeary Street, which have taught me to feel for my poor and
forlorn fellow-creatures as I do not think I ever felt for them
before, and which have inclined me to doubt for the first time whether
worse calamities might not have overtaken me than the hardship of
falling ill.
SKETCHES OF CHARACTER.--II.
A SHOCKINGLY RUDE ARTICLE.
[Communicated by A Charming Woman.]
Before I begin to write, I know that this will be an unpopular
composition in certain select quarters. I mean to proceed with it,
however, in spite of that conviction, because when I have got
something on my mind, I must positively speak. Is it necessary, after
that, to confess that I am a woman? If it is, I make the
confession--to my sorrow. I would much rather be a man.
I hope nobody will be misled by my beginning in this way, into
thinking that I am an advocate of the rights of women. Ridiculous
creatures! they have too many rights already; and if they don't hold
their chattering tongues, one of these days the poor dear deluded men
will find them out.
The poor dear men! Mentioning them reminds me of what I have got to
say. I have been staying at the seaside, and reading an immense
quantity of novels and periodicals, and all that sort of thing,
lately; and my idea is, that the men-writers (the only writers worth
reading) are in the habit of using each other very unfairly in books
and articles, and so on. Look where I may, I find, for instance, that
the large proportion of the bad characters in their otherwise very
charming stories, are always men. As if women were not a great deal
worse! Then, again, most of the amusing fools in their books are,
strangely and unaccountably, of their own sex, in spite of its being
perfectly apparent that the vast majority of that sort of character is
to be found in ours. On the other hand, while they make out their own
half of humanity (as I have distinctly proved) a great deal too bad,
they go to the contrary extreme the other way, and make out our half a
great deal too good. What in the world do they mean by representing us
as so much better, and so much prettier, than we really are? Upon my
word, when I see what angels the dear nice good men make of their
heroines, and when I think of myself, and of the whole circle of my
female friends besides, I feel quite disgusted,--I do, indeed.
Public-domain text, read in full here on John Shaqi.
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