[D] This paper, and the paper on Art entitled 'To Think, or Be
Thought For,' which immediately follows it, provoked, at the time
of their first appearance, some remonstrance both of the public
and the private sort. I was blamed--so far as I could understand
the objections--for letting out the truth about the Drama, and
for speaking my mind (instead of keeping it to myself, as other
people did) on the subject of the Old Masters. Finding, however,
that my positions remained practically unrefuted, and that my
views were largely shared by readers with no professional interest
in theatres, and no vested critical rights in old pictures--and
knowing, besides, that I had not written without some previous
inquiry and consideration--I held steadily to my own convictions;
and I hold to them still. These articles are now reprinted (as
they were originally produced) to serve two objects which I
persist in thinking of some importance:--Freedom of inquiry into
the debased condition of the English Theatre; and freedom of
thought on the subject of the Fine Arts.
[E] This time-table is no invention of mine. It is accurately
copied from an "original document" sent to me by the victim of a
monthly nurse.
THE END.
LONDON: PRINTED BY W. CLOWES AND SONS, STAMFORD STREET,
AND CHARING CROSS.
End of Project Gutenberg's My Miscellanies, Vol. 2 (of 2), by Wilkie Collins
Public-domain text, read in full here on John Shaqi.
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