That she was one or the other, and that, in either case, she was the
originator of the vile conspiracy against her servant which these pages
disclose, was the conclusion to which Monsieur Fournel's pleading
on his client's behalf inevitably led. That pleading satisfactorily
demonstrated Marie's innocence of poisoning and theft, and her fair claim
to the fullest legal compensation for the wrong inflicted on her. On the
twenty-third of May, seventeen hundred and eighty-six, the parliament of
Paris issued its decree, discharging her from the remotest suspicion of
guilt, releasing her from her long imprisonment, and authorizing her to
bring an action for damages against the person or persons who had falsely
accused her of murder and theft. The truth had triumphed, and the poor
servant-girl had found laws to protect her at last.
Under these altered circumstances, what happened to Madame Duparc? What
happened to Procurator Revel and his fellow-conspirators? What happened
to the authorities of the parliament of Rouen?
Nothing.
The premonitory rumblings of that great earthquake of nations which
History calls the French Revolution, were, at this time, already
beginning to make themselves heard; and any public scandal which affected
the wealthier and higher classes involved a serious social risk, the
importance of which no man in France could then venture to estimate. If
Marie claimed the privilege which a sense of justice, or rather a sense
of decency, had forced the parliament of Paris to concede to her,--and,
through her counsel, she did claim it,--the consequences of the legal
inquiry into her case which her demand for damages necessarily involved,
would probably be the trying of Madame Duparc, either for parricide, or
for homicide by misadventure; the dismissal of Procurator Revel from the
functions which he had disgracefully abused; and the suspension from
office of the authorities at Caen and Rouen, who had in various ways
forfeited public confidence by aiding and abetting him.
Public-domain text, read in full here on John Shaqi.
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