Conductors (Music) -- United States -- Biography; Damrosch, Walter, 1862-1950
On my other side stood an American bandmaster who recognized me, and
while we were waiting for the parade he implored me to do something for
the bandsmen in the American army in France. He told me that he had
drilled his little band of twenty-eight men for six months before being
sent overseas, that they had continued to work faithfully during their
stay in France, and that they had achieved a good standard of
efficiency. But, according to old American army custom, they had been
sent into the firing-line at Seicheprey as stretcher-bearers, and in
consequence so many had been either killed, wounded, or shell-shocked
that his band had become completely disorganized. His regiment was in
consequence without music, and he had been detached and sent to Paris as
general purchasing agent for musical instruments. He said: “It takes at
least six months to train a good bandsman, while a stretcher-bearer can
be trained in as many hours. We serve a real purpose, while the men are
in camp, in taking their minds away from the drudgery and monotony of
army life. Our music cheers them; a silent camp is almost unendurable.
Can’t you persuade General Pershing to change this custom, just as the
British and other nations have done?” I told him that I sympathized with
his views, that it seemed to me wrong to use the band for any other
purpose than music, except in case of absolute military necessity, but
that I was without any official connection with the army and so did not
think that I could be of much service to him.
When the parade was ended and the crowds dispersed, the little French
girl on my right said “Good-by” to me in English, ever so prettily, and
then very shyly pressed into my hand as a parting token a tiny little
American flag that she herself had painted on a bit of cotton, the stars
and stripes on one side and the French tricolor on the other. Needless
to say I still possess this charming symbol as a _porte-bonheur_.
Public-domain text, read in full here on John Shaqi.
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