My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the YoungCox, James
History
My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the Young
Cox, James
Indians of North America; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
The Pueblo Indians delight to adorn themselves in gay colors, and form
very interesting and picturesque subjects for the artist, especially
when associated with their quaint surroundings. They are skilled in the
manufacture of pottery, basket-making and bead work. The grand annual
festival of these Indians occurs on the 30th of September, and the
ceremonies are of a peculiarly interesting character.
Jesuitism has grafted its faith upon the superstitions of the
Montezumas, and a curious fruitage is the result. The mystic rites of
the Pueblo Indians, performed at Pueblo de Taos in honor of San Geronimo
(St. Jerome), upon each succeeding 30th day of September, attract large
concourses of people, and are of great interest to either the
ethnologist, ecclesiastic or tourist. A brief description can give but a
faint idea of these ceremonies, but may serve to arouse an interest in
the matter. In the early morning of St. Jerome's day, a black-robed
Indian makes a recitation from the top of the pueblo to the assembled
multitude below. In the plaza stands a pine tree pole, fifty feet in
height, and from a cross-piece at top dangles a live sheep, with legs
tied together and back down. Besides the sheep, a garland of such fruits
and vegetables as the valley produces, together with a basket of bread
and grain, hang from the pole. The bell in the little adobe chapel
sounds and a few of the Indians go in to mass.
A curious service follows. A rubicund Mexican priest is the celebrant,
while two old Mexicans in modern dress, and a Pueblo Indian in a red
blanket, are acolytes. When the host is elevated, an Indian at the door
beats a villainous drum and four musket shots are discharged. After the
services are concluded, a procession is formed and marches to the race
track, which is three hundred yards in length. The runners have prepared
themselves in the estufas, or underground council chambers, and soon
appear. There are fifty of them, and all are naked except a
breech-clout, and are painted no two alike. Fifty other runners to
contest with these, arrive from the other pueblo. They form in line on
either side of the course, and a slow, graceful dance ensues. All at
once three hundred mad young Mexicans rush through the throng on their
wild ponies, the leader swinging by the neck the gallo or cock. Then the
races begin, two runners from each side darting down the track cheered
by their companions. No sooner do they reach the goal than two others
start off, and thus for two hours, until the sum of victories gained by
individuals entitles one party or the other to claim success. The race
decided, the runners range themselves in two facing lines, and, preceded
by the drum, begin a slow zig-zag march.
Public-domain text, read in full here on John Shaqi.
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