My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the YoungCox, James
History
My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the Young
Cox, James
Indians of North America; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
Many Eastern and Northern people confound the term "Creole" and
"Mulatto," believing that the former name is given to the offspring of
mixed marriages, which take place in spite of the vigilance of the laws
of most of the Southern States. This is entirely a mistake, for the
genuine Creole, instead of being an object of contempt and pity, is
rather an aristocrat and of a higher caste than the average white man.
Strictly speaking, the term implies birth in this country, but foreign
parentage or ancestry. It was originally applied to the children of
French and Spanish settlers in Louisiana, and in that application
applied only to quite a handful of people. As time has worn on, and
French emigration has ceased, and the Spaniard has been gradually pushed
south, the number of actual Creoles has of course diminished rapidly.
The name, however, by common consent, has been perpetuated and is
retained by descendants in the third and fourth generations of original
Creoles. Some of the Creoles of to-day are very wealthy, and many of the
others are comparatively poor, changes in modes and conditions of life
having affected them very much. Although the very name Creole suggests
Spanish origin, there is more French blood among the Creoles of to-day
than that of any other nation. The vivacious habits and general love of
change so common among French people, continue in their descendants. The
old plan of sending the children over to France to be educated has been
largely abandoned in these later days, but the influences of Parisian
life still have their effect on the race.
This is largely the reason why it is that New Orleans has been often
spoken of as the American Venice. To that beautiful European city, with
its gondolas and picturesque costumes, belongs the honor of having
originated high-class comedy. To New Orleans must be given the credit of
planting, or at any rate perpetuating, the idea in a tangible shape in
this country, and of having, for fully two generations, kept up the
annual celebration almost without a break. Masquerading came across the
Atlantic from Venice by way of France, where the idea took strong hold.
When emigration from France to the old Territory of Louisiana became
general, the idea came with it, and the practice of sending children to
Paris to be educated resulted in the latest ideas of aristocratic
festivities being brought over to the home which has since sheltered
them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account