My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the YoungCox, James
History
My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the Young
Cox, James
Indians of North America; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
The restaurants of Chinatown are a very unsatisfactory feature of the
unsavory quarter. Many of the laborers board at them, and the smaller
ones are nothing in the world but miserable little chop-houses, badly
ventilated and exceedingly objectionable, and, indeed, injurious to
health and good morals. There are larger restaurants, which are more
expensively equipped. Shakespeare's advice as to neatness without
gaudiness is not followed. There is always a profusion of color in
decoration, but there is never anything like symmetry or beauty.
There are an immense number of joss-houses in Chinatown. Each company
has one of its own. Others belong to the societies, tongs and to private
parties. The appointments of these temples are gorgeous in their way.
One has recently been opened on Waverly Place, which far surpasses all
the others in the grandeur of its sacred equipments and decoration. The
idols, bronzes, carvings, bells, banners and the paraphernalia of the
temple are said to have cost about $20,000, and represents the highest
degree of Chinese art. In front of the throne in each of these temples,
where the principal god is seated, burns a sacred flame that is never
extinguished. In a cabinet at the right of the entrance is a small image
called "the doorkeeper," who sees that no harm befalls the temple of
those who enter.
The temple doors are always open, and those who are religiously inclined
can come in at any hour of the day. Prayers are written or printed on
red or blue paper. These are lighted and deposited in a sort of furnace
with an opening near the top, and as the smoke ascends the bell near by
is sounded to attract the attention of the gods. The women have a
favorite method of telling their fortunes. They kneel before the altar,
holding in either hand a small wooden block, about-five inches long,
which resembles a split banana. These they raise to their closed eyes,
bow the head and drop. If they fall in a certain position, it is an
indication that the wish or prayer will be granted. If they fall in an
unfavorable position, they continue the effort until the blocks fall as
desired. When business is dull and times hard with the Chinaman, they
attribute it to the displeasure of their gods. They try to propitiate
the offended deity by burning incense sticks, and offering fruits and
other things which have no Christian equivalent, and which are supposed
to be grateful to the divine palate.
Public-domain text, read in full here on John Shaqi.
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