My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the YoungCox, James
History
My Native Land: The United States: its Wonders, its Beauties, and its People; with Descriptive Notes, Character Sketches, Folk Lore, Traditions, Legends and History, for the Amusement of the Old and the Instruction of the Young
Cox, James
Indians of North America; United States -- Description and travel; United States -- Social life and customs -- 1865-1918
The snake dance is another evidence of the comparative failure of
civilization to civilize. This is seen chiefly in the vicinity of the
Grand Cañon of the Colorado. Venomous rattlesnakes are used in the
dance, which is an annual affair. Hundreds of snakes are caught for the
occasion, and when the great day arrives the devotees rush into the
corral and each seizes a rattler for his purpose. Reliable authorities,
who have witnessed this dance, vouch for the fact that the snakes are
not in any way robbed of their power to implant their poisonous fangs
into the flesh of the dancers. It even appears as though the greater the
number of bites, the more delighted are the participants, who hold the
reptiles in the most careless manner and allow them to strike where they
will, and to plant their horrible fangs into the most vulnerable parts
with impunity. When the dance is over, the snakes are taken back to the
woods and given their liberty, the superstition prevailing that for the
space of one year the reptiles will protect the tribe from all ill or
suffering.
The main interest attached to this dance is the secret of why it is the
dancers do not die promptly. No one doubts the power of the rattlesnake
to kill. Liberal potations of whisky are supposed by some people to
serve as an antidote, while Mexicans and some tribes of Indians claim to
have knowledge of a herb which will also prolong the life of a man stung
by a snake and apparently doomed to an early death. Tradition tells us
that for the purposes of this dance, a special antidote has been handed
down from year to year, and from generation to generation, by the
priests of the Moquis. It is stated that one of the patriarchs of old
had the secret imparted to him under pledges and threats of inviolable
secrecy. By him it has been perpetuated with great care, being always
known to three persons, the high priest of the tribe, his vice-regent
and proclaimed successor, and the oldest woman among them. On the death
of any one of the three trustees of the secret, the number is made up in
the manner ordered by the rites of the tribal religion, and to reveal
the secret in any other way is to invite a sudden and an awful death.
During the three days spent by the dancers in hunting snakes, it is
stated that the secret decoction is freely administered to them, and
that in consequence they handle the reptiles with perfect confidence.
When they are bitten there is a slight irritation but nothing worse. On
the other hand, there is often a heavy loss of life during the year from
snake bites, for the sacred antidote is only used on the stated occasion
for which it was, so the legend runs, specially prepared or its nature
revealed.
Public-domain text, read in full here on John Shaqi.
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