My Neighbor Raymond (Novels of Paul de Kock Volume XI)Kock, Paul de
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My Neighbor Raymond (Novels of Paul de Kock Volume XI)
Kock, Paul de
French fiction -- Translations into English
"Thanks; but, as you know, I don't like to be presented in that way."
Raymond left me, to return to the piano; he had not lost all hope of
getting himself heard. I knew all that I wanted to know concerning
Madame de Marsan. I returned to the salon. I had reason to believe that
the lady was questioning my neighbor about me, and I knew that I need
not be afraid of losing her good opinion through Raymond's description
of me, for he was one of those men who like to pretend that they have
none but the most desirable acquaintances. I was in comfortable
circumstances, and he had probably represented me as very wealthy; I was
born of respectable parents, and he had probably placed me in one of
the oldest families in France; and so on. To be sure, Madame de Marsan
might have been told that I was fickle, inconstant, treacherous; but
those failings never do a man any harm with the ladies.
A selection had just been performed on the harp; the performer had made
but one mistake, had had to tune her instrument but twice, and had
broken but four strings; we had no cause of complaint. Raymond had left
Madame de Marsan, to find an accompanist, and threatened, if he failed
in his quest, to accompany himself; by dint of hunting, urging, and
entreating, he succeeded in bringing young Martin to the piano; he began
to cough and expectorate, changed the position of the candles, ordered
the windows to be closed, and struck an attitude supposed to represent
Joconde. But a murmur arose on all sides; the young women ran to
Monsieur Vauvert, the young men surrounded his wife; they had been
promised a contradance; it was almost twelve o'clock, and if it was
postponed any longer there would be no dancing. The hosts acceded to the
prayers of their younger guests.
"We are going to dance!" shouted Vauvert, as the court bailiff cries:
"Silence, please!"
Instantly everything was in a ferment in the salon; the young men
hastened to engage partners, the chairs were moved away to make room,
and the guests who did not dance were requested to retire to the
corners.
Raymond stood at the piano with his mouth open; he thought that he must
be mistaken; he could not believe his eyes; I believe that he was
actually going to begin his aria; but instead of the prelude from
_Joconde_, young Martin struck up a figure of Pantalon. My neighbor
could not digest this final blow; he seized his music in a hand which
shook with wrath, and, thrusting it under his arm, rushed across the
salon like a madman, colliding with the dancers, and receiving kicks
from the young men who were in the act of balancing to partners; I am
convinced, however, that he did not feel them.
"Monsieur Raymond is going away in a rage," observed a lady to Madame
Vauvert, with a laugh; a lady whose hair was dressed _à la_ Ninon, but
had lost its curl and was floating in the air in long wisps, although
she had taken the precaution not to remove her curl papers until she was
on the staircase.
Public-domain text, read in full here on John Shaqi.
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