November, when she drew up for the first time her luxuriant black hair
and tied it in a knot and bound it in a fillet, which was said to be the
_mode à la Grecque_. But she was a very pure, innocent girl withal, and
exceedingly clever in her work at school.
I had missed her recently, but had been occupied with other thoughts
until the time came for the quarterly salaries of the teachers; and I
noticed in the returns from the principal teacher that Alice had been
absent the greater part of the time. This evening, after leaving Father
Letheby, I determined to call, unprepared to witness the little tragedy
that was before me--one of those little side-scenes in the great drama
of existence, which God turns suddenly to the front lest we should ever
mistake the fact that our little world is a stage, and that we have all
the denizens of the veiled eternities for our audience. Mrs. Moylan was
one of those beautiful Irish mothers, who, having passed through the
stress and storm of life, was moving calmly into the great sea of Death
and Eternity. She had one of those Irish faces that were so typical of
our race some years ago, and the intense resignation and patience of
which rivalled the sweet innocence of our little Irish children for the
admiration of such a keen and sympathetic observer as Dr. Newman. There
were a few wrinkles in the pallid cheeks, and one or two lines across
the white forehead, crowned with the clean white cap which our Irish
mothers wear. She looked, I thought, a little reproachfully at me as I
entered, but only welcomed me with that courteous reverence which makes
us priests so often humbled and ashamed. After a few words I inquired
for Alice.
"My poor child hasn't been well, your reverence. We were jealous that
you never asked for her."
I protested my utter ignorance of her illness, and inquired what was the
ailment.
"You can see yourself, your reverence," the poor mother said, silently
wiping away a tear. "But," she whispered, "don't pretend to see
anything. She feels it very much."
I passed into the little chamber and was making my apologies to the
poor child, when, in spite of her mother's warning, I started back,
shocked and horror-stricken.
"Good God," I could not help crying out, "what has happened to you, my
poor child?"
She smiled faintly, and then a tear rolled down the leprous cheek. Ay!
indeed! my poor little Madonna, my little child, whose beauty was such a
dream of Paradise, was changed. The large, lustrous eyes were untouched;
but the fair cheek was one hideous, leprous sore. The black, glossy hair
was now a few dirty wisps. The child, whose face and figure every one
turned around to look at a second time, was now a revolting mummy,
seamed and scarred by some terrible disease. I had presence of mind
enough to take up the thin, white hand; she picked the coverlet and said
nothing. Her heart was too full of her misery to utter a word. I could
only say:--
"My poor child! my poor child!"
I turned to the mother.
Public-domain text, read in full here on John Shaqi.
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