The argument from design does not seem to me to be a satisfactory one; it either goes too far or not far enough. Why in arguing from the evidences of adaptation should we assume that they are planned by a mind? It is quite as easy to conceive of matter as self-existent, with inherent vital laws moulding it into varying phenomena, as to conceive of any intelligent mind directly modelling matter, so that the "heavens declare the glory of God, and the firmament showeth his handy-work." It is, I know, customary to sneer at the idea of beautiful forms existing without a conscious designer, to parallel the adaptations of this world to the adaptations in machinery, and then triumphantly to inquire, "if skill be inferred from the one, why ascribe the other to chance?" We do not believe in chance; the steady action of law is not chance; the exquisite crystals which form themselves under certain conditions are not a "fortuitous concourse of atoms:" the only question is whether the laws which we all allow to govern nature are immanent in nature, or the outcome of an intelligent mind. If there be a lawmaker, is he self-existent, or does he, in turn, as has been asked again and again by Positivist, Secularist, and Atheist, require a maker? If we think for a moment of the vast mind implied in the existence of a Creator of the universe, is it possible to believe that such a mind is the result of chance? If man's mind imply a master-mind, how much more that of God? Of course the question seems an absurd one, but it is quite as pertinent as the question about a world-maker. We must come to a stop somewhere, and it is quite as logical to stop at one point as at another. The argument from design would be valuable if we could prove, a priori, as Mr. Gillespie attempted to do,* the existence of a Deity; this being proved we might then fairly argue deductively to the various apparent signs of mind in the universe. Again, if we allow design we must ask, "how far does design extend?" If some phenomena are designed, why not all? And if not all, on what principle can we separate that which is designed from that which is not? If intellect and love reveal a design, what is revealed by brutality and hate? If the latter are not the result of design, how did they become introduced into the universe? I repeat that this argument implies either too much or too little.* * "The Necessary Existence of Deity."