Authors, Bengali -- 20th century -- Biography; Tagore, Rabindranath, 1861-1941
While wandering about in the crush at the Students' reunion, I suddenly
came across a figure which at once struck me as distinguished beyond
that of all the others and who could not have possibly been lost in any
crowd. The features of that tall fair personage shone with such a
striking radiance that I could not contain my curiosity about him--he
was the only one there whose name I felt concerned to know that day.
When I learnt he was Bankim Babu I marvelled all the more, it seemed to
me such a wonderful coincidence that his appearance should be as
distinguished as his writings. His sharp aquiline nose, his compressed
lips, and his keen glance all betokened immense power. With his arms
folded across his breast he seemed to walk as one apart, towering above
the ordinary throng--this is what struck me most about him. Not only
that he looked an intellectual giant, but he had on his forehead the
mark of a true prince among men.
One little incident which occurred at this gathering remains indelibly
impressed on my mind. In one of the rooms a Pandit was reciting some
Sanskrit verses of his own composition and explaining them in Bengali to
the audience. One of the allusions was not exactly coarse, but somewhat
vulgar. As the Pandit was proceeding to expound this Bankim Babu,
covering his face with his hands, hurried out of the room. I was near
the door and can still see before me that shrinking, retreating figure.
After that I often longed to see him, but could not get an opportunity.
At last one day, when he was Deputy Magistrate of Hawrah, I made bold to
call on him. We met, and I tried my best to make conversation. But I
somehow felt greatly abashed while returning home, as if I had acted
like a raw and bumptious youth in thus thrusting myself upon him unasked
and unintroduced.
Shortly after, as I added to my years, I attained a place as the
youngest of the literary men of the time; but what was to be my position
in order of merit was not even then settled. The little reputation I
had acquired was mixed with plenty of doubt and not a little of
condescension. It was then the fashion in Bengal to assign each man of
letters a place in comparison with a supposed compeer in the West. Thus
one was the Byron of Bengal, another the Emerson and so forth. I began
to be styled by some the Bengal Shelley. This was insulting to Shelley
and only likely to get me laughed at.
My recognised cognomen was the Lisping Poet. My attainments were few, my
knowledge of life meagre, and both in my poetry and my prose the
sentiment exceeded the substance. So that there was nothing there on
which anyone could have based his praise with any degree of confidence.
My dress and behaviour were of the same anomalous description. I wore my
hair long and indulged probably in an ultra-poetical refinement of
manner. In a word I was eccentric and could not fit myself into everyday
life like the ordinary man.
Public-domain text, read in full here on John Shaqi.
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