My Reminiscences of East AfricaLettow-Vorbeck, Paul Emil von
History
My Reminiscences of East Africa
Lettow-Vorbeck, Paul Emil von
World War, 1914-1918 -- Campaigns -- Tanzania
AT that time we noticed the first parties of hostile spies, and
captured some of them. They were “Shensi” (innocent-looking natives),
who, as a proof of having really reached the objective of their
mission, had to bring back certain objects, such as parts of the
permanent way of the Usambara Railway. The general review of the
situation showed that the enemy was making a detailed reconnaissance
of the Usambara Railway and the approaches to it. A glance at the
map shows that a simultaneous advance by the enemy from Oldorobo and
Longido towards New Moshi was bound to entail the loss of the Kilima
Njaro country, which was of value to us from the point of view of
maintenance. If, however, we wanted to retire before a superior enemy
on our main line of communication, we should be obliged to move our
main forces along the Usambara Railway, thus making almost an acute
angle with the direction of an attack coming from Oldorobo. The
danger of being cut off by the enemy from this, our principal line of
communication, was for us very great. Should the enemy advance north
of Lake Jipe, he would be cramped by Kilima Njaro and by the steep
group of the North Pare Mountains. It is obvious that in that case his
advance directly on Kahe would be the most inconvenient for us, and if
successful, would cut the Usambara Railway, our line of communications.
But it would be even more serious for us if the enemy should pass south
of Lake Jipe, and press forward by the valley leading between the North
and Middle Pare, to the Northern Railway, south of Lembeni. Finally,
he could reach the railway by way of the valley at Same, between the
Middle and South Pare. In his advance on Lembeni and Same the enemy
would be able to make a road suitable for motor traffic with rapidity,
and in places without preparation, across the open plain, and to base
his operations upon it.
Public-domain text, read in full here on John Shaqi.
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