other educational _lictors_, who, with their bundles of rods, heralded not alone the consuls, but all other Roman antiquities to us! We dare not, however, indulge in the grateful vision, since there are circumstances which lead us to infer that Mr. Halliwell himself (member though he be of so many learned societies) has those vague notions of the speech of ancient Rome which are apt to prevail in regions which count not the _betula_ in their _Flora_. On page xv of his Preface, he makes Drummond say that Ben Jonson “was dilated” (_delated_,--Gifford gives it in English, _accused_) “to the king by Sir James Murray,”--Ben, whose corpulent person stood in so little need of that malicious increment! What is Mr. Halliwell’s conception of editorial duty? As we read along, and the once fair complexion of the margin grew more and more pitted with pencil-marks, like that of a bad proof-sheet, we began to think that he was acting on the principle of every man his own washerwoman,--that he was making blunders of set purpose, (as teachers of languages do in their exercises,) in order that we might correct them for ourselves, and so fit us in time to be editors also, and members of various learned societies, even as Mr. Halliwell himself is. We fancied, that, magnanimously waving aside the laurel with which a grateful posterity crowned General Wade, he wished us “to see these roads _before_ they were made,” and develop our intellectual muscles in getting over them. But no; Mr. Halliwell has appended notes to his edition, and among them are some which correct misprints, and therefore seem to imply that he considers that service as belonging properly to the editorial function. We are obliged, then, to give up our theory that his intention was to make every reader an editor, and to suppose that he wished rather to show how disgracefully a book might be edited and yet receive the commendation of professional critics who read with the ends of their fingers. If this were his intention, Marston himself never published so biting a satire. Let us look at a few of the intricate passages, to help us through which Mr. Halliwell lends us the light of his editorial lantern. In the Induction to “What you Will” occurs the striking and unusual phrase, “Now out up-pont,” and Mr. Halliwell favors us with the following note: “Page 221, line 10. _Up-pont._--That is, upon’t.” Again in the same play we find-- “Let twattling fame cheatd others rest, I um no dish for rumors feast.” Of course, it should read,-- “Let twattling [twaddling] Fame cheate others’ rest, I am no dish for Rumor’s feast.”