My three years in Manipur : $b and escape from the recent mutinyGrimwood, Ethel St. Clair
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My three years in Manipur : $b and escape from the recent mutiny
Grimwood, Ethel St. Clair
Grimwood, Ethel St. Clair, 1867-1928; Manipur (India)
The Jubraj became Regent.
The Senaputti became Jubraj.
Prince Angao ” Senaputti.
Zillah Singh ” Samoo Hengeba.
Therefore in future I shall use these titles in writing of the new
Government to avoid confusion.
CHAPTER XII.
Vigour of the new reign—A magic-lantern performance—Conduct
of the bandmaster—First mention of Mr. Quinton—Visit
to Burmah—Beauty of the scenery—House ourselves in a
Pagoda—Burmese love of flowers, and of smoking—Visit
Tummu—Burmese love of chess—First meeting with Grant—He
helps us to make a cake—Search after orchids—Arrival of
visitors—Important telegram from Chief Commissioner—Coming
events commence to cast shadows.
Early in November I returned from the hills, and went back to Manipur.
Everything seemed changed by the alteration in the government of the
state. There was little doubt that the new Jubraj was practically ruler
of the roost, and the improvement was very great in everything. Roads
that had been almost impassable in the ex-Maharajah’s reign were repaired
and made good enough to drive on. Bridges that had been sadly needed
were erected; some of them on first-class plans, which were calculated
to last three times as long as the flimsy structures which existed
previously. The people seemed happier and more contented, and my husband
found it much easier to work with the Manipur durbar than he had done
when there were eight opinions to be consulted instead of four. There
were no more petty jealousies and quarrels among the princes, and I had
no fears about asking them all at once to any festivity.
At Christmas they all came to a magic-lantern performance. My husband
had got one out from England, and he made the slides himself from
photographs, choosing as subjects groups of Manipuris, or photographs
of the princes and bits of the country. A picture of Miss Maïpâkbi
was greeted with much applause on the part of the Jubraj, who, by the
way, had decided to add this young lady to his other nine wives. The
performance concluded with a large representation of the ex-Maharajah
in royal dress. Dead silence greeted it, and an awkward pause; but my
husband changed the slide almost directly to one of a humorous character,
which caused everyone much amusement.
I mentioned the royal dress in the Maharajah’s photograph. This was worn
only on very great occasions, usually of a sacred nature. It consisted of
a coat and Dhotee made of silk, of a grayish shade, embroidered all over
in purple silk in a fleur-de-lis pattern. No one but a prince could wear
this particular stuff; and if anyone was found with it on, whether in
his house or on the public thoroughfare, he was immediately seized, and
deprived of the garments in question, and everything else he happened to
have on at the same time.
Public-domain text, read in full here on John Shaqi.
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