My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
The experience of a young man who feels that he has his own way in life
to make, and all whose surroundings must necessarily be of the most
rigid economy, when he enters the modern sphere of young ladyhood, is
like a sudden change from Nova Zembla to the tropics. His is a world
of patient toil, of hard effort, of dry drudgery, of severe economies;
while our young American princesses, his social equals, whose society
fascinates him, to whose acquaintance he aspires, live like the fowls
of the air or the lilies of the field, without a thought of labor, or a
care, or serious responsibility of any kind. They are "gay creatures of
the element," living to enjoy and to amuse themselves, to be fostered,
sheltered, dressed, petted, and made to have "good times" generally. In
England, there are _men_ born to just this life and
position,--hereditary possessors of wealth, ease, and leisure, and
therefore able to be hereditary idlers and triflers--to live simply to
spend and to enjoy. But in America, where there are no laws to keep
fortunes in certain families, fortunes, as a general rule, must be
_made_ by their possessors, and young men must make them. The young,
unmarried women, therefore, remain the only aristocracy privileged to
live in idleness, and wait for their duties to come to them.
The house to which I was introduced that night was one of those New
York palaces that are furnished with eclectic taste, after a survey of
all that Europe has to give. The suites of rooms opened into each other
in charming vista, and the walls were hung with the choicest paintings.
It was evident that cultured skill and appreciation had presided over
the collection of the endless objects of artistic elegance and _vertu_
which adorned every apartment: it was no vulgar display of wealth, but a
selection which must have been the result of study and care.
Jim, acting the part of master of ceremonies, duly presented me to Mr.
and Mrs. Van Arsdel, and the bevy of young ladies, whose eyes twinkled
with dangerous merriment as I made my bow to them.
Mr. Van Arsdel was what one so often sees in these palaces, a simple,
quiet, silent man, not knowing or caring a bodle about any of the
wonders of art and luxury with which his womankind have surrounded him,
and not pretending in the least to comprehend them; but quietly
indulgent to the tastes and whims of wife and daughters, of whose
superior culture he is secretly not a little proud.
In Wall street Mr. Van Arsdel held up his head, and found much to say;
his air was Napoleonic; in short, _there_ his foot was on his native
heath. But in his own house, among Cuyps, and Frères, and Rembrandts,
and Fra Angelicos, with a set of polyglot daughters who spake with
tongues, he walked softly, and expressed himself with humility, like a
sensible man.
Public-domain text, read in full here on John Shaqi.
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