My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
Seated, reading by a shaded study-lamp, was a young woman of what I
should call the Jeanie Deans order--one whose whole personal appearance
indicated that sort of compact, efficient union of energy and simplicity
characteristic of the Scottish heroine. Her hair, of a pretty curly
brown, was cut short, _à la_ Rosa Bonheur; her complexion glowed with a
sort of a wholesome firmness, indicative of high health; her large,
serious grey eyes had an expression of quiet resolution, united with
careful observation. Her figure inclined to the short, stout and
well-compacted order, which gave promise of vitality and power of
endurance--without pretensions to beauty. There was a wholesome,
thoughtful cheerfulness and good humor in the expression of the face
that made it decidedly prepossessing and attractive.
The furniture of the room, too, was in contrast with all the other
appointments of the house. It was old and worn, and of that primitive
kind that betokened honest and respectable mediocrity. There was a
quaint, old-fashioned writing-desk, with its array of drawers and
pigeon-holes; there were old slippery wooden arm-chairs, unrelieved by
cushions; while the floor was bare, excepting in front of the fire,
where it was covered by a large square of what New England housekeepers
call rag-carpet. The room, in fact, was furnished like the sitting-room
of an old New England farm-house. A cheerful, bountiful wood-fire,
burning on a pair of old-fashioned brass andirons, added to the
resemblance.
"You see, Mr. Henderson," said Miss Eva, when I had been introduced and
seated, "you are now in the presence of Miss Van Arsdel proper. This
room is Papa's and Ida's joint territory, where their own tastes and
notions have supreme sway; and so you see it is sacred to the memories
of the past. There is all the old furniture that belonged to papa when
he was married. Poor man! he has been pushed out into grandeur, step by
step, till this was all that remained, and Ida opened an asylum for it.
Do you know, this is the only room in the house Papa cares much for. You
see, he was born on a farm, dear gentleman, and he has an inveterate
yearning after primitive simplicity--huckleberries and milk, you know,
and all that. Don't this look like the old 'keeping-room' style?"
"Yes," said I, "it looks like _home_. I know rooms just like it."
"But I _like_ these old primitive things," said Ida. "I like hardness
and simplicity. I am sick to death of softness and perfumed cushions and
ease. We women are sweltered under down beds, and smothered with
luxuries, in our modern day, till all the life dies out of us. _I_ want
to live while I live, and to keep myself in such trim that I can _do_
something--and I won't pet myself nor _be_ petted."
Public-domain text, read in full here on John Shaqi.
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