My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
say hateful things as if you were trying and failing. How angry that
makes me! One is almost tempted sometimes to accept just to show that
one can; but, seriously, dear Belle, this is wicked trifling. Marriage
is an awful, a tremendous thing, and we of the church are without excuse
if we go into it lightly or unadvisedly, and I never shall marry till I
see the man that is my fate. I have what mamma calls domestic ideas, and
_I'm going to have them_, and when I marry it shall be for the man
alone, not a pieced up affair of carriages, horses, diamonds, opera
boxes, cashmeres _with_ a man, but a _man_ for whom all the world were
well lost; then I shall not be afraid of the church service which now
stands between me and Mr. Sydney. I cannot, I dare not lie to God and
swear falsely at the altar, to gain the whole world.
I wish you could hear our new rector. He is making a sensation among us.
If the life he is calling on us all to live is the real and true one, we
shall soon have to choose between what is called society, and the
church; for if being a church-woman means all he says, one cannot be in
it without really making religion the life's business--which, you know,
we none of us do or have. Dear man, when I see him tugging and straining
to get our old, sleepy, rich families into heavenly ways, I think of
Pegasus yoked to a stone cart. He is all life and energy and enthusiasm,
he breathes fire, and his wings are spread heavenward, but there's the
old dead, lumbering cart at his heels! Poor man!--and poor cart too--for
I am in it with the rest of the lumber!
We are in all the usual Spring agonies now about clothes. The house
reverberates with the discussion of hats and bonnets, and feathers and
flowers, and overskirts and underskirts, and all the paraphernalia--and
what an absurd combination it makes with the daily services in Lent.
Absurd? No--_dreadful!_ for at church we are reading of our Saviour's
poverty and fasting and agonies--what a contrast between his life and
ours! Was it to make us such as we are that he thus lived and died?
Cousin Sophia is happy in her duties in the sisterhood. Her church life
and daily life are all of a piece--one part is not a mockery of the
other. There's Ida too--out of the church, making no profession of
churchly religion, but living wholly out of this bustling, worldly
sphere, devoted to a noble life purpose--fitting herself to make new and
better paths for women. Ida has none of these dress troubles; she has
cut loose from all. Her simple black dress costs incredibly less than
our outfit--it is all arranged _with a purpose_--yet she always has the
air of a lady, and she has besides a real _repose_, which we never do.
This matter of dress has a thousand jars and worries and vexations to a
fastidious nature; one wishes one were out of it.
Public-domain text, read in full here on John Shaqi.
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