My Wife and I; Or, Harry Henderson's HistoryStowe, Harriet Beecher
General
My Wife and I; Or, Harry Henderson's History
Stowe, Harriet Beecher
American fiction -- 19th century; Courtship -- Fiction; Marriage -- Fiction; Romance fiction
Mr. Trollope, in _The Small House at Allington_, represents a young man
just engaged, as feeling himself in the awkward position of a captive
led out in triumph, for exhibition. The lady and her friends are spoken
of as marching him forth with complacency, like a prize ox with ribbons
in his horns, unable to repress the exhibition of their delight in
having entrapped him. One would infer from this picture of life such a
scarcity of marriageable men that the capture even of such game as young
Crosbie, who is represented to be an untitled young man, without fortune
or principle, is an occasion of triumph.
In our latitudes, we of the stronger sex are not taught to regard
ourselves as such overpoweringly delightful acquisitions, and the
declaration of an engagement is not with us regarded as evidence of a
lady's skill in hunting. I did not, as young Crosbie is said to have
done, feel myself somehow _caught_. On the contrary, I was lost in
wonder at my good fortune. If I had found the pot of gold at the end of
the rainbow, or dug up the buried treasures of Captain Kidd, I could
not have seemed to myself more as one who dreamed.
I wrote all about it to my mother, who, if she judged by my letters,
must have believed "Hesperian fables" true for the first time in the
world, and that a woman had been specially made and created out of all
impossible and fabulous elements of joy. The child-wife of my early
days, the dream-wife of my youth, were both living, moving, breathing in
this wonderful reality. I tried to disguise my good fortune--to walk
soberly and behave myself among men as if I were sensible and rational,
and not dazed and enchanted. I felt myself orbed in a magical circle,
out of which I looked pityingly on everybody that was not _I_. A spirit
of universal match-making benevolence possessed me. I wanted everybody I
liked to be engaged. I pitied and made allowances for everybody that was
not. How could they be happy or good that had not my fortune? They had
not, they never could have, an _Eva_. There was but one Eva, and I had
her!
I woke every morning with a strange, new thrill of joy. Was it so? Was
she still in this world, or had this impossible, strange mirage of bliss
risen like a mist and floated heavenward? I trembled when I thought how
frail a thing human life is. Was it possible that she might die? Was it
possible that an accident in a railroad car, a waft of drapery toward an
evening lamp, a thoughtless false step, a mistake in a doctor's
prescription, might cause this lovely life to break like a bubble, and
be utterly gone, and there be no more Eva, never, nevermore on earth?
The very intensity of love and hope suggested the possibility of the
dreadful tragedy that every moment underlies life; that with every joy
connects the possibility of a proportioned pain. Surely love, if nothing
else, inclines the soul to feel its helplessness and be prayerful, to
place its treasures in a Father's hand.
Public-domain text, read in full here on John Shaqi.
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